BEST HISTORICAL FICTION 2020 -- FEATHERED QUILL BOOK AWARDS Emperor Frederick II has restored Christian control of Jerusalem, but the Sultan brags he will “purify” Jerusalem and drive the Christians out as soon as the ten-year truce expires. The common people of the Holy Land show their contempt for the Emperor and his treaty by pelting him with offal, while the barons resist Frederick’s absolutism and demand rule of law. Filled with resentment and bitterness toward his impertinent subjects, the Emperor vows to destroy the family that embodies the independent spirit of Outremer: the Ibelins. While the Emperor’s deputies will stop at nothing to fulfill their orders, the Ibelins must gain allies at almost any cost. Yet with the Pope now on the side of the Emperor, Balian’s marriage becomes a spiritual weapon turned against his father.
Words can be descriptors, or labels or titles. They can tell us about the material and immaterial facets of the object described. Words together can tell us entire stories -- and sometime one single word is enough to convey a world of meaning. In this excerpt the Lord of Beirut arrived in the town of Casal Imbert after his army, led by three of his sons, has suffered a humiliating defeat.
For some of us, quarantine during the Covid19 Pandemic has been a lot like being under siege. We couldn't go anywhere, the enemy was "out there" threatening to break in to our safe world, and the risk of supplies running out was always in the back of our mind. The opportunity to get away from our home -- even at the risk of encountering the enemy -- was usually welcomed with open arms -- at least by some of us. In this excerpt, the citadel of Beirut has been under siege for months, and the need to know what is going on outside outweighs the risk -- at least for some.
Modern writing often neglects description. Perhaps it is because of the speed of communications and the sense of hurry? We have become used to 'tweets' and 'sound bites' -- no time for anything but the essentials. So, many modern novels don't take the time or space to set the scene -- unlike works of the 19th century, where descriptions could last for pages. For me, the key is finding a balance between evoking an image and keeping the story moving. Critical to the effective use of description is the relevance of the data provided. Yes, it is about an image and helping the reader see where your characters are, but it is also about setting a mood and the interplay between environment and character. This excerpt is, I believe, self-explanatory.
The same set of facts told from different perspectives can look completely different. As everyone knows, one man's "terrorist" is another's "freedom fighter." Perspectives -- and so narratives -- are shaped by subjective factors: our values, our expectations, our ability to identify with protagonists, but also our own goals and desires. Sometimes we see what we want to see rather than what is objectively there. In this scene, two brothers fight over the correct response to an event -- until the motives of the one are revealed by the other.
In times like these it is easy to get wrapped up in our own worries. It is easy to forget to tell people what they mean to us. Yet it is precisely in times like these that we should make the extra effort. Small gestures can mean a lot. In this scene a squire takes leave of his knight on the eve of battle.
Sometimes we compartmentalize "creativity." We think of it as "art" and forget that we need it in our daily lives as well -- whether it is to make a special meal or surprise our partner with an unexpected sign of affection. Yet arguably, there is no human endeavor in which creativity is more essential than in the "art" of war -- especially when one is out-numbered and the terrain favors the enemy. Then it is only the creative genius of a commander that can turn a seemingly inevitable defeat into a victory. In this expert, a young man whose father and king are about to engage in a desperate battle, is looking for a creative way to change the shape of the confrontation to come.
We all too often worry about things we can't change. What we can do, however, is make sure we don't repeat our mistakes. If I'm worried about not doing well on an exam, I study harder. If I'm worried about getting sick, I take care of myself. In other words, avoiding unnecessarily trouble comes from anticipating it and learning from past mistakes. That's what this scene is all about.
There is a child within me that has a temper tantrum when suddenly forces beyond my control interfere in my life. This was to be my first London Book Fair and I had a full-page catalogue entry -- all for nothing now! A complete wash out! Scream! A good reminder that no matter how much we think we are in control of our lives, much remains beyond our control. In this excerpt, a young king is also confronted with developments beyond his control and he has to face his helplessness.
I have a nephew who has been working on the same novel for the last 16 years. I'm sure that when he finally releases it the entire literary world will stand still with awe -- or not. Chances are, he will never publish because there is always just one more improvement that will make it "perfect." On the other hand, I rushed "Knight of Jerusalem" to press for reasons that seemed good at the time. Now I have a book on the market that is weak and flawed -- so much so that I'm working on a complete rewrite. Every writer struggles with the inherent tension between the search for perfection and the need to let go. We can't have our cake and eat it too. We have to make choices. In this excerpt a young man faces a very different kind of choice -- but one that is just as difficult, if not more so.
We all have a tendency to feel sorry for ourselves when we aren't feeling well. In my experience, men are the worst -- a little sniffle and a cough and suddenly they act as if they are on the brink of death and can't lift a finger in household or office. No doubt they see it differently. Seeing a common cold as a dire illness, however, is a self-indulgence that many people, past and present, could not afford. So much worse could happen to them as this excerpt -- based on historical events -- makes clear.
My main characters are real historical figures whose character is recorded to a greater or lesser degree by their actions, words and commentary of contemporaries. All I can do is bring these character to life by giving them greater contours, more depth, interpolating between events and generally trying to get inside their minds to understand and explain why they did may have done what they did. It is the secondary characters, the supporting cast, which are based on people I have known and met personally. Eskinder is very much a product of my encounters with stern fathers in Ethiopia.
Asked about "what it takes" to be a successful author in today's market, I can only answer: A lot! It takes persistence, obviously, and commitment, a willingness to invest time not only in writing but in marketing and social media. It takes courage -- being willing to publish rather than waiting to "be discovered." It takes hard work, long hours, a thick skin, a sense of humor....Perhaps the most important thing, however, is being able to distinguish between constructive criticism (that enables you to write better) and destructive advice (that leads to chasing the latest fad.) In this excerpt my female protagonist is asked to make a choice...
It is a tragic feature of human nature that we often do not fully appreciate something -- or someone -- until they are gone. A major component in the grief many feel at the death of a loved one is regret -- regret for not knowing them better, not spending more time with them, for not valuing them as, in retrospect, we realize we should have done. In the excerpt, the Lord of Beirut has received news that his army has been ambushed at night, while he was in Acre negotiating a peace settlement. Three of his sons were with the army and their fate is unknown. He sets out to find out what happened.
Sometimes we have to grow up very fast. Kathy Meis mentioned going abroad at an early age, and for many of us that experience of being taken from our familiar surroundings and put in a new environment is singularly maturing. At fifteen, my parents moved to Portsmouth, England, but the closest international school was in London. I went to live in a boarding house, and was only home with my family on weekends. In the Middle Ages, youth was expected to grow up faster. At fifteen, many girls were already married while in many kingdoms (Holy Roman Empire, Jerusalem) youths came of age at 14 or 15. In this excerpt, Guy d'Ibelin, aged 15 just like I was in London, has a -- rapid -- maturing experience.
Relations between siblings are unique and complex. Depending on age differences, the number and kind of shared experiences, and a variety of other factors we can have exceptionally close and enduring relationships -- or be virtual strangers. The most dangerous and deceptive aspect of sibling relationships is that because of shared childhood memories, we often fail to recognize changes -- or simply assume that we know our sibling better than we actually do. Yet at their best, siblings can be the truest friends we have, precisely because they learned to love us regardless of who we have become since. In this excerpt, a brother and sister are reunited after being separated by a siege -- and other events that have changed them both.
We are most easily deceived by our own hopes. What I mean, is that if someone offers us something we want, we are rarely as skeptical or as cautious as we should be. That's why promises of tricks to "get rich quick" always find suckers no matter how patently ridiculous. It's why an entire industry has grown up around authors desperate to sell their books.... In this scene, the Lord of Beirut is tempted by what he wants most: peace.
Sorry, I don't like picturing the future precisely. I've learned that there are far too many factors that impact our lives to enable us to envisage out situation a year from now. Maybe other people have more predictable lives. I don't. Likewise, my characters -- all historical figures -- demonstrate how futile it is to plan too far in advance. The actions of distant emperors and popes and the fortunes of war drove their fates in wild and unpredictable zig-zags. For example, in this scene the heir to the wealthy barony of Beirut is confronted with the unexpected: his year-old marriage has been decreed invalid by the pope and he finds himself abruptly excommunicated. Something the wealthy son of privilege would certainly not have expected a year earlier....
At this time of year, we are wont to reflect on what we have achieved or failed to achieve in the previous 12 months. We often make "New Year's Resolutions" about what we want to accomplish -- or at least do better -- in the year ahead. As we go through this healthy exercise, however, it is wise to remember that we need to be careful what we wish for -- just in case our wishes come true! In this excerpt, Bella d'Ibelin has been besieged in Beirut for four months by Sicilian mercenaries loyal to the Holy Roman Emperor Frederick II. She is holding out with an inadequate garrison in hope of relief from her father, the Lord of Beirut. Suddenly, Bella's prayers for rescue appear to have been answered....
The traditions of my childhood were imported from Denmark. We celebrated Christmas Eve rather than Christmas Day. We had a beautiful, formal dinner at my grandmother's. The women wore formals, the men tuxedos, and the only lighting was from candles. There was no radio or TV: we sang the carols ourselves. But as an adult, moving around the world as a diplomat who knew the carols of my childhood? And how relevant was a candlelight dinner in the tropics with fireworks going on outside and African music in the streets? In the excerpt, two men in a castle under siege debate the value of a tradition.
... is a luxury. It is for the comparatively rich and secure who have "holidays" and money for presents and big meals and decorations. For many people around the world there are other priorities -- like putting food on the table or staying safe. Historically, many Christmas' were marred by famine, flood, killing cold, or war. In this excerpt, the Ibelin landing in Syria at or around Christmas 1231 is described.
This past year, my first in retirement, has been one of change and astonishing promise. In the last four months I have landed two important book deals with commercial publishers. The first was with a Greek publisher for the translation and release of my biography of Leonidas of Sparta on the 2,500th anniversary of the Battle of Thermopylae. The second was with Pen & Sword for not one but two books about the crusader states. But not all years are so good and sometimes we look back with regret or mixed feelings -- as the hero of "The Emperor Strikes Back" does in this excerpt.
It is in our darkest hour, when we feel lost and helpless, that true friendship shines like a light. How often, when all seemed lost, has a friend reached out a hand and helped? Maybe just with advice or a shoulder to cry on, but by showing concern, understanding and solidarity making it possible to get up and keep going. In this scene, the Lord of Beirut had just learned that his only daughter is trapped in his castle of Beirut, while the castle is under siege from the Imperial Marshal Riccardo Filangieri.
... that can't think of at least three ways to spell every English word. -- Benjamin Franklin. I do not suffer from a "poor mind" by that definition! Spelling has never been my strong point, which is why I spend a fortune to have two editors look over all my manuscripts before submitting them. And there are words like "disseize" -- or was that "dissieze"? The illegal confiscation of a medieval fief, which forms the very core of the conflict between Emperor Frederick II and the Lord of Beirut in my current series of novels. Oh, well, I try to avoid the word when I can find alternative ways of speaking about the issue....
Goals can be short-term or long-term. We can attempt to cover a certain distance on a jog or read a certain number of pages, or visit someone particular on a given day. Or we can plan to get a PhD, or to become a doctor, or walk on the moon. Sometimes in the pursuit of these long-term goals we make mistakes.... The hero of "The Emperor Strikes Back" has several long term goals, and one of them is securing papal approval for his marriage which is technically within the prohibited degrees of kinship. Here he speaks with the Papal Legate and Patriarch of Jerusalem, who had issued him a dispensation that has since been challenged.
The light of dawn is usually something we can count on. We know exactly the time each day the sun will rise at any location on earth. Yet there are circumstances when that light is not so certain after all. One of those is when a sailing ship is damaged in storm at sea. Such a situation often tests our strength, patience and faith as in this excerpt, while rescue is like the breaking of a new day.
Courage has many faces and going beyond one's comfort zone takes many forms. As a historical novelist whose works are based on historical events, I'm always hesitant to "go too far" with interpretation and invention. When the city of Beirut fell to the forces of Emperor Frederick in 1231, Beirut and all his sons were in Cyprus. Only a skeletal garrison remained in the citadel -- and this alone held out against the vastly superior forces of the Emperor. But where was Beirut's daughter? The historical chronicles are silent on the subject. I decided to give Bella a role....
There are times in our lives when we have to take a stand -- for or against something -- whether it is in our "best interests" or not. If something -- a principle, an institution or a person -- is important enough to us, we have to stand up for them -- or regret it the rest of our lives. When the Holy Roman Emperor Frederick II sent a large army to intimidate and force the submission of his vassal the Lord of Beirut, the baron chose rebellion instead. His three eldest sons, all youths barely out of their teens, stood by him. It may not have been a difficult choice, but it took courage nevertheless.
Three years after the wreck of his ship, a sailor returns home. He knows that he was presumed dead, and he travels now under an assumed name with a fake identity. But he has returned to Acre because it was where he left his bride -- who believes herself to be his widow.
Being prepared isn't always a matter of being prepared for the weather, lost baggage or a missed flight. It can also mean being prepared for the consequences of your actions. Humans being what they are, we are often blinded by our ambition, our dreams, our hopes -- and a too optimistic assessment of our own capabilities and influence. In this scene, a man's younger brother tries to warn him that what he is about to do could have negative long-term consequences, but he is far too sure of his own cleverness to listen.
We like to celebrate our victories -- both large and small. I'm no exception. A new award? Bring out the champagne! A new release? Let's go out to dinner! Indeed, I've learned to celebrate precisely because life sends us setbacks and defeats as well as victories. So we must celebrate the positive gifts before the bad times hit us again. Yet I have also learned not to celebrate too soon. Sometimes victories that seem just around the corner don't materialize at all. In this scene, the young Balian d'Ibelin has celebrated and consummated his marriage -- only to run into a little snag...
A major theme of "The Emperor Strikes Back," as in the first book in this series "Rebels against Tyranny," is the right of subjects to defend themselves against arbitrary government. Throughout the series, the Lord of Beirut is pitted against an autocrat that attempts to take his titles and his lands from him without bringing charges of wrong-doing much less giving him the right to defend himself against the charges. In this excerpt, the Lord of Beirut puts his case to the highest court in the kingdom, the High Court composed of the entire knightly class, and defends his rights. Unfortunately, the Holy Roman Emperor doesn't care about the judgement of the court and continues his attacks -- the actions that form the rest of the novel.
Do you remember your childhood dreams of "growing up"? When you were ten or eleven did you know what you wanted to "be" when you grew up? Were you true to your dreams? I had a cousin who always knew he wanted to be an architect -- and is. For as long as I can remember I wanted to write novels. Yet most of my siblings and cousins took different paths from the ones imagined at 10 or even 20. And even those of us who remained true to our childhood dreams often had moments of doubt like Bella in this excerpt.
...you are about to be married to the man of your dreams, but you are still deathly afraid? Eschiva is an heiress, a widow and desperately in love with the man she has promised to marry now. Yet there is something that terrifies her....
Modern man has learned to measure the force of nature. We have different categories of hurricanes and measure earthquakes on the "Richter Scale." Furthermore, while we still cannot tame them, we can explain and sometimes even predict natural catastrophes -- like the course of a hurricane. In contrast, for our ancestors in the 13th century, nature was far more intimately and directly related to the Will of God.
Anthropologists tell us that the concept of family is one of the most universal features of human society. Indeed, we share the concept with other primates and animals. For humans, the definition of family unit may vary greatly from small units consisting of man, wife and children, to larger "clans" including more than three generations and cousins of all kinds. Likewise, authority within a family may vary greatly, but the sense of belonging is fundamental to all. In this excerpt an abandoned child finds a home.
I think all of us know that life is like the seasons. Just as there is a time for strawberries and a time for cider, a time for the fire and a time for the beach, there are times to be sociable and times to be alone, times to learn and time to teach. Knowing the right time to get married is one of the most important moments in life. In this excerpt, the young heir to the lordship of Beirut needs to convince his father that this is the right time too.
The German military-philosopher Carl von Clausewitz pointed out that wars are not the result of aggression -- but rather the RESISTANCE to aggression. Any bully is happy NOT to fight -- as long as he gets his way. It is only when we stand up to bullies, that we have conflict. The problem is, even if only defending one's self, conflict has consequences that aren't pretty. In this excerpt the daughter and eldest son of the Lord of Beirut clash over how to respond to injustice.
Going to school may be the common experience of American kids today, but it wasn't always that way. Through much of history there were no public schools and education was a privilege of the rich. In the same way, through much of history, unwanted children were simply driven out of their homes, or dumped on the side of a road. In this opening scene from "The Emperor Strikes Back" a priest draws the attention of one such child to a wealthy benefactress, hoping she will take an interest in the child as an act of charity.
Launching a new book is always a risky business. No matter how hard you try to get everything "right" and no matter how much you believe in your own book -- once a book is launched it is the readers and reviewers that decide its fate. "The Emperor Strikes Back" was released this past week. The prologue sets the stage. Here the Master of the Teutonic Knights, Herman von Salza, confronts the Holy Roman Emperor Frederick II -- and the later reveals his plans.
SILVER (2ND Place) for HISTORICAL FICTION, FEATHERED QUILL BOOK AWARDS 2019. FIRST IN CATEGORY (FINALIST) CHAUCER AWARD FOR HISTORICAL FICTION 2018. BRAG MEDALION HONOREE. Emperor Frederick II, called "enlightened" by historians yet decried as a despot by contemporaries, unleashes a civil war that tears the Holy Land apart. The heir to an intimidating legacy, a woman artist, and a boy king are caught up in the game of emperors and popes. Set against the backdrop of the Sixth Crusade, Rebels against Tyranny takes you from the harems of Sicily to the Holy Sepulcher in Jerusalem, from the palaces of privilege to the dungeons of despair. This is a timeless tale of youthful audacity taking on tyranny―but sometimes courage is not enough....
Common people fighting injustice have found many ways to protest over the centuries. Violent rebellions might make a larger mark in history, but they were not necessarily more effective than non-violent methods. Non-violent protests often communicated displeasure and forced change more effectively than open rebellion -- they are simply less likely to be remembered in the general history books. This excerpt is based on a true incident. It would be wrong to say it sparked a civil war, but the attitude of the people of Acre -- so eloquently expressed by pelting the Holy Roman Emperor with offal and entrails -- encouraged some barons to defy the hated emperor.
...on where you are and what you've experienced. I'm lucky. I'm living in a country that cares about people -- even old people -- and about saving lives rather than the economy or the 'freedom' to endanger others. Not everyone was that lucky. Some people lost loved ones. Unnecessarily. Because of failed government and brutal selfishness on the part of fellow citizens. Because hatred and selfishness have been made 'respectable' and 'presidential.' So today my excerpt is about death and its consequences, because for those that lost someone the 'new normal' is about coping with death and sometimes economic devastation as well.
Book sales, we are told, have increased almost 800-fold in the midst of the Corona Virus pandemic. We are lucky. Books are readily available today and can be delivered electronically to our e-readers. In the Middle Ages, books had to be meticulously copied by hand. They were correspondingly fewer in number and expensive to acquire, while literacy was likewise significantly lower than today. For those in the echelons of society that could read and afford books, however, they offered as much of an escape from our "real life" worries as they do today. In this scene a noble maiden in the service of an emperor remembers the importance of books -- especially for women.
For an artist, art is not a hobby. It is not something to do "for fun" in your "spare time." It is an obsession and a necessity. It is something you make sacrifices for -- no TV, less social life, less social media, less demanding jobs, fewer kids... I have been writing since I was in the second grade. I have never had a phase in my life when I was not writing. I cannot STOP writing -- even when I am depressed and frustrated by lack of commercial success. Lack of success only compels me to work harder, to look for better ways to reach my readers -- because I CANNOT stop. The day I stop writing, is the day I die -- if not physically than spiritually and intellectually. In this excerpt from "Rebels against Tyranny" an artist in crisis is helped by a young man she hardly knows -- and this, more than his other virtues, is what wins her heart.
The American Revolution was viewed by its leaders as a rebellion against a tyrannical government. Many of the issues that concerned the colonists then continue to concern us today -- the right to due process before the law, representation in the legislature, fair distribution of taxes. It was the discovery that many of these same issues sparked an early rebellion against tyrannical government that attracted me to the history of the Crusader States in the early 13th century. This scene is, I think, self-explanatory.
All of us have known "tyranny." Not necessarily the political kind with a capital "T," but we have been tyrannized by perfectionist bosses, or by the "popular" clique at school, or by the expectations of a family that does not like or respect our choices. People are tyrannized every day -- for their race, their sexual orientation, or simply for the way they dress. In this excerpt, a young German Templar is set upon by knights of the Holy Roman Emperor simply because he is German and -- in the minds of his attackers -- he is a "traitor" to the Emperor because the Knights Templar oppose the Emperor's policies.
I have always been a very "audio" person. I learn something better when I hear it, than when I see it. I remember what I hear better than what I simply see. At university, I couldn't afford to miss a lecture like other students did. Maybe this explains why I hear my novels as I write them. For me, the way what I write sounds is almost as important as the content. I love alliteration, and I love the rhythm you can give a sentence -- or a whole paragraph. Obviously, make text sing is easiest when writing descriptions since speech has to be reflective of character and most characters are poets or troubadours. Here's a random sample -- read it out loud to appreciate it most!
We all (I hope!) have memories of someplace special we used to go in summer. For my family, it was my grandmother's house on the coast of Maine -- wooden clapboard painted white, black shutters, sagging a little with age, and surrounded by the cawing gulls and the hammering in the boatyard out back. Boy kings experienced summers a little differently....
Most of us have experienced it -- a vacation to someplace "exotic" like a Caribbean Island -- and suddenly not only our surroundings but our feelings are transformed. Inexplicably, those around us are more attractive and exciting -- and so are we. In this excerpt, the "cold, boring and plain" (Emperor Frederick II's assessment) Eschiva de Montbelliard is returning to the Holy Land by ship. After being confined to her cabin for days, she is allowed on deck for a meal of fresh fish when the ship puts into the Venetian-controlled, Greek island of Kythera.
It is well known that our environment impacts our mood -- a sunny day, for example, can lift spirits and make us more optimistic. Yet in periods of severe crisis, the reverse is also true: our mood can alter our response to the world around us. The heroine of this scene, a manuscript illuminator, has been rescued from a shipwreck in which she lost her step son -- and all her illustrations of the last year. Her world seems very dark and purposeless...
The 13th century legal scholar and historian wrote in his autobiography that he was tipped off about an assassination attempt by one "whom cared not whom it might displease" -- a sentence too sparse for historians to even speculate. Yet the would-be assassins were none other than the Emperor's regents for the under-aged King Henry I -- and the latter was their prisoner. He was privy to their decisions, yet his heart was with their enemies and the would-be victim. For a novelist that's good enough to make a storyline....
My husband always promised me I could have pets when I retired from the Foreign Service and stopped moving around the world every two to three years. That date came in December and in March we adopted two dogs from the same liter. They have enriched our lives beyond measure. They will also undoubtedly find their way into one of my books one day because the relationship we have with animals is nothing new or unique to the modern world. Men have lived together with dogs as far back as the stone age. In the Middle Ages too there were very much a part of daily life -- some spoiled, some working, some loved, some abandoned. This episode tells of a special dog....
It was a trip to Cyprus more than 20 years ago that sparked my interest in the crusades. Indeed, one could say that the castles of St. Hilarion and Kantara together so captured my imagination that I'm STILL writing about them. They both feature in my current series of books -- quite actually as they were historically significant in the early 12th century and played important roles in the struggle between the Holy Roman Emperor and the barons of Outremer. This excerpt tries to put into words the way St. Hilarion looks -- but I conceded a single photo is probably more effective. (But for that you'll have to go to my blog at: https://www.blogger.com/blogger.g?blogID=8683681702039130081#editor/target=post;postID=8736322548062587556;onPublishedMenu=allposts;onClosedMenu=allposts;postNum=21;src=link)
In 1228, Balian d'Ibelin, the youngest son of the Lord of Beirut was held hostage for his father's good behavior. According to a contemporary account, he and his brother were "put in pillories, large and exceedingly cruel; there was a cross of iron to which they were bound so that they were able to move neither their arms nor their legs..." They were not released for weeks, by which time they were "so miserable that it was pitiful to behold." That kind of treatment leaves scars -- both mental and physical. In this scene, after a year of avoiding physical activity that might cause damage to his tortured back, Balian demands a joust with his brother.
For readers tired of clichés and cartoons, I offer nuanced insight to historical events and figures based on sound research and an understanding of human nature. My aim is to deliver complex and engaging characters that bring history back to life -- as a means to better understand ourselves. A perfect example of this is Emperor Frederick II. He is widely eulogized as a "remarkable" monarch, "ahead of his time," a liberal, tolerant man, who obtained Jerusalem by treaty rather than war -- as if there hadn't been 109 other treaties with the Saracens in the course of the previous 130 year! His eulogists ignore his dark side. Here I try to give Frederick contours by getting inside his head at his moment of triumph.
We all communicate in different ways and different styles. Some of us are more "wordy" than others. In this excerpt, the Lord of Beirut is brought a letter from his younger son, who is on Cyprus while the rest of the family is in Syria. Beirut reads the letter aloud to his other children. His heir, Balian, has another letter too -- from the woman he loves. She too is on Cyprus.
As a novelist, I never would have dared dream up an incident like this. It's so bizarre that were it not recorded historical fact, any reviewer would be justified in calling it "absurd." Yet it IS recorded fact. This is how the Holy Roman Emperor -- the Wonder of the World -- left the city of Acre after making a treaty with the Sultan of Egypt that served the Emperor's purposes rather than those of his subjects in the Kingdom of Jerusalem.
King Henry I of Cyprus was only 18 months old when his father died. His mother chose to remarry, abandoning him to the care of "baillies." Based on subsequent actions, Henry was fond of his first baillie, Philip d'Ibelin. However, roughly a year after Philip's death, he found himself in the hands of the Holy Roman Emperor Frederick II Hohenstaufen. Henry would later rebel against the Emperor and use his entire army and treasury to rid himself of Hohenstaufen influence. In this scene, however, he is still a helpless child.
This incident is recorded in a 13th Century Chronicle. I have done little more than "translate" late it into more familiar phrases and syntax for the modern reader. It illustrates both how very exciting history is (no need for dragons and fairies in my book!), -- and also the eternal loyalty of our equine friends.
The heroine of "Rebels against Tyranny" is another one of those women in history who has left very little more than a name. We know her parentage -- her mother was a Princess of Cyprus, her father the Regent by right of his wife. We know the names of her husbands, and her eldest son. We have a single sentence from a chronicle describing a highly exceptional deed -- but that doesn't happen until the next book in the series, so no spoilers here. And we know that her husband endured excommunication and defied his father rather than set her aside. Otherwise she was a blank sheet of paper. Meet my Eschiva de Montbelliard.
"Rebels against Tyranny" has just won Silver (2nd place) in the 2019 Feathered Quill Book Awards and a major reason was the leading character, Balian d'Ibelin (the younger). Feathered Quill wrote: "The heir to the Ibelins is a great character for the reader to “walk beside” as dungeons and palaces are entered ...This thrilling hero is, as always when it comes to Schrader’s works of art, one of unforgettable strength." KIRKOS reviews too singled him out for praise, writing: "The well-meaning but flawed Sir Balian is a great central figure—a bit like William Shakespeare’s portrayal of the young Prince Hal." Only his father wasn't so convinced. Meet Balian:
Writing to learn likely strikes many as putting the cart before the horse. Surely one doesn't write about something unless they already know about it? True. But that is precisely the point. If I am intrigued by a topic (period, culture, event etc.) enough to want to write about it, then I am setting myself on a course of study. In order to be able to write about this topic, I will have to do my research. I'm not someone who can just dash off a short-story based on a casual thought or a snippet of information I've stumbled across. I envy those who can write like that! But I'm at heart a historian and I can't write even a short story without knowing about things like how people dressed, kept warm, what they ate, how they traveled, what their religious beliefs were likely to be etc. etc. So it was a spark of curiosity that gave birth to my latest book "Rebels against Tyranny." It was the question about how could there have been a crusade condemned by the pope, led by an excommunicate, that recovered Jerusalem -- yet earned the leader of the crusade only hatred from his own subjects?
Just as day follows night and spring follows winter, darkness and death are often the heralds of new life. The death of those close to us inevitably alter the circumstances in which we life and so open opportunities for making changes to our lives. In this excerpt from "Rebels against Tyranny," Eschiva de Montbeliard has just buried her husband, killed unexpectedly in the Battle of Nicosia. Her maid asks her want comes next.
Living in America today it's easy to get cynical about politicians. We have all seen enough examples of orchestrated events in which one party or the other fires up their "base" with speeches and promises. It's easy to bemoan this as degeneration from the "good old days" when politics was honest and politicians selfless. In fact, very little has changed over the millennia. No one was better at manipulating a crowd than the orators of ancient Athens. But today I share a scene of political manipulation from the 13th century. It is, as always, a matter of responding tot he demands of the base, and of directing those demands and taking leadership of the "movement."
Christmas is a time when Christians try to be together with family. It is a time to celebrate together -- and create memories that we will cherish of our loved ones when we are apart or separated by the grave itself. It is a time that reminds us of the importance of families. In this excerpt, other circumstances have reminded the powerful Lord of Beirut of the importance of his sons.
Nothing is more fundamental, important or more difficult than character development. Good characters that EVOLVE in the course of a novel are what distinguish a book of quality (dare I say literature?) from a book of light (or dark) entertainment. That's why I was so thrilled that Kirkos Reviews wrote: "Sir Balian is a great central figure—a bit like William Shakespeare’s portrayal of the young Prince Hal..." That is to say he is realistically flawed, particularly to start with, but he grows into his role. In this scene, Balian's absence from a siege has almost ended in disaster - and his demanding father has just arrived on the scene.
The modern world has turned formerly religious holidays into frenzies of consumption. Black Friday, Cyber Monday -- or is it Cyber week? Soon we'll not be able to open any page of anything print or electronic that doesn't tell us how few days there are until "Christmas" -- by which they men "D-Day" for buying presents. The "Christ" has long ago been taken out of "Christmas" by a pretense of respect for other religions that is really only an adulation of shopping, spending, buying -- and, oh, and maybe giving a little too. It wasn't always that way. Religious holidays were once times for reflection, as my main character does here.
Now at Thanksgiving we are all reminded of how much we owe others and God for the good things in our lives. Yet some of us must also thank others for life itself. That is the situation of my hero in "Rebels against Tyranny." Released at last from Imperial captivity (where he was badly abused) he discovers more about who was behind his rescue.
While the historical record forms the road map of my novels, determining the over-all direction and important milestones, my novels are enriched just as a map is made more complete, by the secondary "roads" and byways -- the subplots. In the history of the baronial revolt against Emperor Frederick II, the "highway" (main plot) is dictated by the actions of the leading rebels: John d'Ibelin, Lord of Beirut, and his sons. Yet historically the Ibelins did not stand alone; they were strongly supported by the Genoese of Outremer. Yet we know almost nothing about individual members of that community. So I invented some! Meet Giovanni Gabrieli and his daughter Cecilia.
When writing historical fiction about real characters, an author is heavily dependent on a fictional supporting cast. The biography of the historical character provides the skeleton of the character and historical events determine the main contours of the plot, but to flesh out the historical figures, interaction with characters that the author completely controls -- i.e. fictional characters -- is often extremely useful. These characters help an author explore the blank spaces left by the historical record. For novels set in the medieval period, squires are an obvious candidate for this device. We know they existed, and they had to work hand-in-glove with their lord. They knew their "principal" intimately, but we know nothing about them. Meet Rob, Balian d'Ibelin II's squire!
In earlier excerpts I've looked at fathers and sons, and the often stormy relations between brothers close in age. Today's excerpt focuses on sisters and brothers and the misunderstandings they can have. Bella is Balian's only sister, and she wants to help one of her best friends...
Brothers close in age are often as much rivals as friends. That hasn't changed over the centuries. My characters Balian and Baldwin d'Ibelin are just a year -- and a world of temperament -- apart. The "good" son Baldwin has just found his "bad" brother Balian dicing in a tavern.
As I mentioned in my last bubble, intra-family relations are some of the most fascinating components of good fiction. This excerpt exposes both a father's feelings for his sons and his acute insight into the relationship between them.
One of the things I love writing about in my novels are intra-family relationships. Its one of the things that doesn't seem to change much over time or across cultures. Yes, of course, the power-relationships could be different. In some societies fathers (or mothers) have much more power, but I've found in my many travels and interviews that the complex mix of feelings is less impacted by external factors than personalities. In this scene, the son and heir (Balian) has had a clash with his father and his younger brother comes to find him and bring him home. I hope many readers will find the feelings and responses familiar if not from their own lives than from the lives of friends.
One of the things I love about writing historical fiction is that it gives us (authors) a chance to give historical figures, who have become nothing but a name in a history book, a face -- a voice -- feelings. Yes, what we write is speculative, but it can hardly be worse than a blank silence. So it is with Yolanda (also Isabella II) of Jerusalem, the second wife of Emperor Frederick II. She was married at the age of 12 and dead before she was 16. Her husband humiliated her on her wedding night by preferring to seduce one of her ladies. He was said to abuse her so badly that she lost a child.. She certainly miscarried the baby she had at age 14, and she died in childbed at 15 -- giving her husband an heir which he used to tyrannize her kingdom. Thus, although she was technically an "Empress," her fate was hardly better than a slave's. We know almost nothing about her. Although she has only a cameo role in "Rebels against Tyranny" I wanted it to be a memorable. I hope I succeeded!
It is historical fact that Sir Amaury Barlais hated the Ibelins with a blind, visceral emotion unrelated to mere politics, but the reasons for that history have been lost in the mists of time. As a novelist, however, I needed to understand him better. In the following scene I get inside Amaury's skin as he sits in a dungeon after being arrested for attempted murder.
I can't tell you how many times people have told me "history is boring." Or they justify reading fantasy because its "more exciting." I can't understand either attitude because I have always found history full of amazing, exciting and inspiring events. The scene below is based very literally on the account of a 13th century historian. In that sense, it's fact, not fiction.
It's hard to be the son of a celebrity. We know that from Hollywood and politics in our own time. Yet I hadn't expected to be confronted by the problem -- until I started work on a new series and discovered that the best historical figure to serve as the central protagonist of the new series had exactly the same name as the hero of my last series, the Jerusalem Trilogy. The new series has a totally different focus (civil war in the crusader states) and different themes (absolutism vs. feudalism), but the hero is a grandson of the Defender of Jerusalem, Balian d'Ibelin -- and was named for his grandfather. Despite bearing the same name the historical was a very different man, and so my character had to be too. Here's the opening scene.
FINALIST FOR THE ERIC HOFFER AWARD FOR HISTORICAL FICTION, 2019, FINALIST FOR BOOK EXCELLENCE AWARD, HISTORICAL FICTION, 2018 John d'Ibelin, son of the legendary Balian, will one day defy the most powerful monarch on earth. But first he must survive his apprenticeship as squire to a man determined to build a kingdom on an island ravaged by rebellion. The Greek insurgents have already driven the Knights Templar from the island, and now stand poised to destroy Richard the Lionheart's legacy to the Holy Land: a crusader foothold on the island of Cyprus.
When we see people suffering or in need, we are often moved to pity and charity. That is good -- but it is different from compassion. The foundation of compassion is understanding and empathy, which entails respect rather than pity. In this excerpt, Humphrey has long felt looked down upon by his former father-in-law Balian. The offer of assistance and help triggers a reaction that surprises both men.
It often seems as if finding time to think -- really think -- is one of the most difficult tasks in an age of instant communication. Our phones follow us everywhere. SMSs and emails peep their presence at the convenience of the sender, not ours. Yet if we don't find the peace to think, we are condemned to react rather than act and will always be chasing after events rather than shaping them. Thought is also essential for self-reflection and analysis. At their most profound, thought connects us with the divine. In this excerpt, an isolated prisoner is forced to confront himself.
This week we're supposed to share a joke. I have two: After a week of lock-down a man looked at his dog and his dog looked back and said: NOW do you understand why I chew your shoes? A friend suggested we have all turned INTO dogs: "We pad around the house all day looking for food, we're afraid of visitors, and we get wildly excited if we get to go for a drive." In tribute to 'man's best friend' this excerpt in which John d'Ibelin, a fourteen year old squire serving Aimery de Lusignan, gets a little help from the stray he's rescued.
My novels are very character-centric with the main focus on character development and interaction. It is not surprising, therefore, that most of my novels are inspired by people. Yet places, too, inspire the imagination. I firmly believe that my interest in history and historical fiction started at the age of four when my father took me to the Coliseum in Rome. “This,” he told me, “is where the Romans fed the Christians to the Lions.” Now that was fascinating to a four-year-old! I spent the rest of the afternoon trying to imagine where they had kept the lions? where the Christians? Was there no way to escape? What if a lion got loose among the spectators? You see how rapidly this can become a novel? Of course, at four, no novel evolved, but the process of thinking about the places I visited as the site of historical events and the stage for personal drama had started. The view from the Castle of Kantara was one such place that inspired me. In this excerpt, the wife of Aimery de Lusignan has just spent her first night on the island of Cyprus. She has had a bad night in an unfurnished chamber at the run-down castle of Kantara. She is frightened of the future but is attracted by a stairway.
The relationships between mothers and their teenage daughters is full of complications, emotions and tensions. I know I wasn't an easy teenager for my mother, and watching my friends try to deal with teenagers of their own is an never-ending soap-opera which I prefer observing from the outside! So now image that your teenage daughter is a ruling queen and her husband has just arrested one of your husband's best friends.... Welcome to Maria Comnena's world.
Hooks to draw the reader into a novel don't come naturally to me. I much prefer developing characters and relationships carefully and thoughtfully to throwing them at the reader like a cartoon. Likewise, my novels are based on historical events, and the very point of writing about history is to explain it -- the antecedents of events, the complexity of relationships and the breadth of impact -- not things that readily lead to a simple into of dead body and the question "who done it." No, I'm not fond of the "snapshot" approach to life or books, but I have learned to use a "Prologue" that tells of an event that the book will explain or expound upon. Here's the opening "hook" for "The Last Crusader Kingdom."
Heroes, as I have noted in earlier entries, do something exceptional. They show unusual kinds of courage and the help others in some way. But sometimes even the greatest heroes fail....
The villains of a novel may, for plot reasons, play a consistently negative role. That, however, is not the same thing as a character being purely evil or having base motives. In "The Last Crusader Kingdom" the heroes face a fanatical opponent capable, by the end, of kidnapping women and children. Yet he is not simply "evil." To help the reader understand better the motives for his action, I provide a little background.
Those of us privileged enough to have had pets know just how important they have been in our lives. It was no different in times past, and so dogs and horses often have important roles in my novels. In this excerpt, the young squire John d'Ibelin encounters an exceptional dog.
The main female character in all three books of the Jerusalem Trilogy and "The Last Crusader Kingdom" is Maria Comnena, a historical figure. In the course of the four novels she goes from being a reigning queen still in her teens, to a grandmother in her late forties. My introduction to her in each book reflects her changing status and role. In this excerpt from the last of the four books in which Maria plays the leading female role, she is forty-years-old and her oldest son, John, is already in service as a squire.
When writing historical fiction, helping the reader to see unfamiliar environments is always a challenge. I need to tip off the reader about what the environment looks like -- without bogging down the narrative and a slowing the pace of the action. In this sample, I hope the reader can picture the incident without feeling lectured to, yet with enough words so it doesn't sound like a work crew on the nearest interstate. At the same time, I hope the reader can picture the two protagonists as well. Successful?
Because my novels are historical fiction, the setting of the action is often not readily imagined by my readers. I can't say: "At the nearest McDonalds..." Or "It was a typical trailer home..." This means I often need to describe the environment of action more than if the novel was set in our own time. After all, how many of you know what a typical urban dwelling in late 12th century Acre looked like? At the same time, I can't allow descriptions to get in the way of the narrative or I will bore (and so lose) the reader altogether. Here's an example of how I try weave the descriptions into the action.
When Henri de Champagne, the young King of Jerusalem, stepped backwards out of a window to his death in Sept. 1197, no one could afford to give his widow, Isabella, time to grieve. In this scene, Isabella's step-father, Balian d'Ibelin returns from Cyprus to join his wife and step-daughter in their hour of grief -- only to be confronted with political reality.
Although Henri de Champagne had driven Aimery de Lusignan from his Kingdom of Jerusalem on unjustified charges, the two men later reconciled. Champagne's three daughters by Isabella of Jerusalem were betrothed to Lusignan's three sons. In this excerpt, Eschiva d'Ibelin, Aimery's as yet uncrowned queen, has still not fully recovered from her kidnapping.
In one of the more bizarre incidents in history, Aimery de Lusignan's wife, Eschiva, was captured by pirates from Cyprus a little less than a year before he was crowned King. She was taken to a petty tyrant's regime in what is now Turkey, and her release was effected by Leo of Armenia through a combination of threats, diplomacy and audacity. In this scene, Eschiva and her children find themselves in the hands of their rescuers on their way to a place they've never been before.
In 1195, a pirate ship seized the wife and children of the King of Cyprus from a coastal estate. In this excerpt, the King Aimery de Lusignan, who has been frantically awaiting news of his wife and children, receives a stranger at his palace in Nicosia.
It is 1195, and King Henry of Champagne has just offered Balian d'Ibelin an important post in the Kingdom of Jerusalem. But Balian has other options....
The establishment of a crusader kingdom on the island of Cyprus was not just of strategic and maritime importance. It offered tens of thousands of Christians who had lost their homes and livelihoods to Saladin's invasion a place to make a new start. In this excerpt, an apprentice mason, enslaved after the Battle of Hattin, and now working as nothing but a day-laborer, seeks out his former master-builder. The latter lost a hand at Hattin and is now a beggar.
Balian d'Ibelin has married his eldest daughter, Helvis, to a man 20-years his senior in order to secure her future. His younger daughter, Meg, seizing the opportunity following a tournament in which her brother John has competed successfully to broach the subject of her own (future) marriage with her father.
Wealth, title and privilege have their drawbacks too. When young John d'Ibelin falls in love with a local girl, his father the Baron of Ibelin forbids him from seeing her again. Of course, that didn't work with teenager in the Middle Ages any better than it does today. So John ran away with just his horse and his dog to go courting....
Humphrey of Toron was a tragic figure. He is remembered for what he lost: his fief, his freedom and his wife. His wife, heiress to Jerusalem, divorced him to marry a man better able to defend her kingdom for her. Humphrey having lost everything to which he had been entitled by birth and marriage, fades from the pages of history. In this excerpt, I hypothesize what might have happened to him -- and an critical encounter with his former father-in-law: Balian d'Ibelin.
While Aimery de Lusignan struggles to gain control of a rebellious Cyprus, his wife -- isolated among Greek servants -- miscarries a child. She is convinced he will now discard her as once her father discarded her mother. Praying for death, an woman looking very much like the Virgin Mary appears -- and then....
Richard the Lionheart sold Cyprus to Guy de Lusignan, and at the latter's death less than two years later, Guy named his brother Geoffrey his heir. Aimery -- who had brought Guy out to the Holy Land to make his fortune, who had supported his usurpation of the crown of Jerusalem, fought with him at Hattin and suffered captivity with him -- was left out in the cold. In this excerpt from "The Last Crusader Kingdom" Aimery has returned to Acre, broken by his brother's ingratitude.
Aimery de Lusignan has been imprisoned for High Treason by the king of Jerusalem, Henri de Champagne. In this excerpt, he receives a visitor in his prison cell: Balian d'Ibelin. Ibelin brings word that the Champagne is willing to release Aimery -- on one condition.
The magic of castles is nothing new. For most of us today, exploring castle ruins is associated with trying to understand the past. It is a means to discover clues that help us better imagine an age gone by. But for contemporaries, exploring castles was like exploring a battleship or a space station: it was discovering the latest in military technology as well as inspiring the imagination with the great deeds that had -- or would be -- performed here.
Ruling a medieval kingdom was not a matter of doing whatever one liked. Medieval society was extremely legalistic and a king, above all others, was expected to enforce (and so respect) the law of the land. In this excerpt, Henri de Champagne, who has become King of Jerusalem quite unexpectedly, is confronted with the limits to his power set by the laws and customs of his new kingdom.
In this scene, 13-year-old John has just witnessed the arrest of the man he is serving as a squire: the Constable of Jerusalem, Aimery de Lusignan. And the first thing he thinks of doing is going to his father for help. Find out why.
The establishment of Lusignan rule on the Island of Cyprus in the late 12th century was by no means a bloodless and peaceful enterprise. In this excerpt, a Greek Orthodox monk who has witnessed atrocities committed men fighting for Guy de Lusignan, confronts his superior -- and learns a unexpected lesson.
BEST BIOGRAPHY 2017 (Book Excellence Awards) BEST CHRISTIAN HISTORICAL FICTION 2017 ( Readers' Favorite) BEST SPIRITUAL/RELIGIOUS FICTION 2017 (Feathered Quill AwardS) BEST BIOGRAPHICAL FICTION 2016B (Pinnacle Book Awards) Honorable Mention from Foreword Indies Awards 2017 for Military/Wartime Fiction Balian d'Ibelin has survived the devastating defeat of the Christian army on the Horns of Hattin and walked away a free man after the surrender of Jerusalem, but he is baron of nothing in a kingdom that no longer exists. Haunted by the tens of thousands of Christians now enslaved by the Saracens, he is determined to regain what has been lost. The arrival of a vast crusading army under the soon-to-be-legendary Richard the Lionheart offers hope -- but also conflict, as natives and crusaders clash and French and English quarrel.
Women in politics are still judged by different standards than men. If men show understanding for their opponents they are "wise" and "diplomatic," women are "weak." If men speak with passion, they are "decisive," women are "strident" or "shrill." If a man loses his temper, he's "forceful" and "energetic," whereas a woman is "hysterical." Always and again, "hysterical." In this scene a female politician, 20-year-old Queen Isabella of Jerusalem has just lost her husband in an assassination and the leader of the French crusaders insists on offering his "protection."
At the end of "Defender of Jerusalem," the Baron of Ibelin pays the ransom for a man and his crippled son. It was an important scene for what it said about Balian d'Ibelin. But having introduced the character, I couldn't just abandon him, so I wrote him into "Envoy of Jerusalem" too -- and had him encounter a different kind of refugee. It was a tad self-indulgent, really, as the character was born full-grown in my imagination and I hadn't planned her at all. I even considered cutting her -- until one of my test readers wrote to say she "loved" Mariam "best of all." I left her in and I'm glad I did. Meet Mariam...
Yes it's cold out there -- at least for a lot of us. Fortunately, the bulk of usalso have central heating, insulated buildings, and modern, wind-and-water proof outer garments when needed. But it wasn't always like that. Here's a short excerpt describing a real historical incident -- the violent rain and sleet that beset Richard the Lionheart's army on it's first attempt to reach Jerusalem.
Music has always had the power to influence our emotions. Music can comfort, calm, cheer and irritate. Indeed, the same music, depending on the instruments used and the pace at which it is played, can have a different emotional impact. This excerpt is set in a tavern in the City of Tyre on the day news reaches the Christian refugees there that Jerusalem has fallen to Saladin. Tyre thereby has just become the very last city still in Frankish control and surrounded by the forces of Saladin.
Heroes usually show some kind of courage, but courage can take very different forms -- as this excerpt illustrates.
Not every antagonist is evil. While the opponents of a cartoon hero may be monsters, such simplistic characters generally detract from a serious novel -- much less historical fiction. The antagonists of historical novels are historical figures, and humans are not monsters but complex beings with both positive and negative characteristics. The historical opponent of the hero in my Jerusalem series was a man who has gone down in history as exceptionally chivalrous. He was certainly an intelligent, rational man, capable of great generosity. In my portrayal of him, therefore, it was important to show not only why he was the antagonist of my hero but also why he is so admired by many historians. Meet Salah ad-Din, the great Sultan Saladin.
One of the most difficult things for a writer of historical fiction is to avoid imposing modern values on our characters living in the past. We often find it hard to accept, that intelligent, likeable people (i.e. our heroes and heroines!) held attitudes or beliefs that are today scorned as silly or condemned as evil. Yet the failure to give characters the beliefs and morals of the age in which they lived turns a work of historical fiction into farce. The point, as I try to do in this seen, is not to give characters modern attitudes but rather to help the reader understand the values of the past.
One of the most difficult tasks for a historical novelist who writes about real historical figures is to make characters out of legends. Some historical figures are so well-known that readers will already have formed an opinion about them. But that opinion may not overlap with the author's interpretation of the character. This was my problem with Richard the Lionheart. Almost anyone interested in the crusades has already formed a picture of him in their minds -- but that picture is based on his role as an ENGLISH King and a crusader. My novel "Envoy of Jerusalem," however, is written from the perspective of the residents of the crusader kingdoms. That is significant. What I did was start with the familiar -- describing Richard as most will already picture him -- and then showing the difference.
The main female character in all three books of the Jerusalem Trilogy and "The Last Crusader Kingdom" is Maria Comnena, a historical figure. In the course of the four novels she goes from being a reigning queen still in her teens, to a grandmother in her late forties. My introduction to her in each book reflects her changing status and role. In this excerpt from the third book in the series, Maria is now 35, the mother of four young children -- and believes she has just become a widow with the fall of Jerusalem to Saladin.
Describing a character's physical attributes is one of the trickiest tasks an author faces. Too little detail, and a reader cannot form any picture in their mind so the character remains an amorphous blob -- a serious disadvantage to winning sympathy! Too much detail on the other hand can just get in the way of the narrative. In the following excerpt, I tried to give all three characters sufficient contours for the reader to start picturing them, without ever actually describing them.
The second book in my Jerusalem Trilogy ended with the surrender of Jerusalem to Saladin in 1187. The reader had been in Jerusalem with the defenders for the last 100 pages of the book, and been shown the aftermath of the surrender on the residents in the Holy City. For the third book in the series, I did not want to just start where I had left off. Instead, I decided to change the perspective and show the impact of the surrender of Jerusalem not on the people who had defended it -- and lost -- but on their families and friends watching events from the outside. Here's what that looked like:
Ibelin's first attempt to negotiate with Saladin on Richard the Lionheart's behalf failed miserably. In this scene, he reports his failure to the English King, who is still recovering from a fever than nearly killed him.
In August 1192, Richard the Lionheart -- facing rebellion at home -- sought peace with Saladin. He send Balian d'Ibelin, known as Ibn Barzan to the Saracens, to the Sultan with a peace proposal -- but Saladin has a counter-proposal.
This excerpt is based on an account of the Battle of Jaffa by the Arab historian and contemporary of Saladin, Baha al-Din Ibn Shaddad. His book, "The Rare and Excellent History of Saladin" is available from the series "Crusades Texts in Translation" in a translation by D.S. Richards.
King Richard came to the relief of Jaffa with just a handful of knights. After driving off the Saracens with a surprise amphibious assault, he camped outside the city. But Saladin now rallied his forces and, after re-grouping during the night, made a surprise dawn attack on the exposed crusaders. Here's how it looked through the eyes of Aimery de Lusignan, Constable of Jerusalem....
August 1, 1192 While Richard the Lionheart and the rest of the Frankish forces prepared an offensive against the territory north of Acre, Saladin struck in Richard's rear. His army rapidly gained control of the city of Jaffa, and the garrison was trapped inside the citadel when Richard arrived by sea with just 57 knights and a thousand Genoese archers. Undetered, Richard ordered an assault on the beach held by thousands of enemy.
Christmas Eve 1187 In the city of Tyre, the last city still in Christian hands after the defeat of the Frankish army at Hattin, the survivors gather to celebrate Christmas. Eschiva d'Ibelin finds herself sitting with one of her uncle's knights, Sir Bartholomew. Sir Bartholomew's daughters and grandchildren fell into Saracen hands after the Christian defeat and are now slaves.
Isabella of Jerusalem was just 20 years old - and pregnant - when her second husband, Conrad de Montferrat, was assassinated and died in her arms. But she had no chance to grieve. As the ruling Queen of Jerusalem she was required to marry again at once -- to the man the High Court of Jerusalem chose for her. In this episode, Henry Count of Champagne, the High Court's choice for Isabella's next husband, has just received the permission to accept the crown from his uncle, Richard the Lionheart.
In 1192, after the assassination of her husband Conrad de Montferrat, 20-year-old Isabella of Jerusalem was pressured by the Bishop of Beauvais to submit to French "protection." It was a transparent attempt to seize control of her kingdom -- and checkmate the French king's hated rival: Richard the Lionheart. In this scene, Isabella has just returned from her husband's funeral when she is confronted by the Bishop of Beauvais.
She had been separated from her mother at 8 to live imprisoned in a border fortress. She had been married at 11 to the man her brother chose for her. She had been torn from her husband's tent against her will at the age of 18 and convinced to divorce her first husband in order to take a man more suitable to the High Court. At 20, pregnant with her first child, she learned that the King of England had finally ended his objections and recognized her and her second husband as the rightful Queen and King of Jerusalem. And then there was a knock on the door.....
It is 1192. King Richard is in the Holy Land, but is younger brother has allied himself with his worst enemy, King Philip of France, and is threatening to steal his entire inheritance. Meanwhile, the barons of Jerusalem have just elected his opponent Conrad de Montferrat King of Jerusalem. And now the Master of the Knights Templar, Robert de Sable walks in and says....
The King of England has come to the Holy Land to liberate Jerusalem but it is proving more difficult than anticipated. As the winter closes, he looks for a negotiated settlement -- and turns to the leading local baron: Balian d'Ibelin -- a man his army has mocked as a traitor because he supports Conrad de Montferrat rather than Richard's own candidate for King, Guy de Lusignan.
It was a common practice of the Suljuks to capture or purchase young boys and train them to be elite soldiers - Mamlukes. In this excerpt, one such captive has been sent to spy on his former lord. The impact is to make his grandfather doubt himself.
During Richard the Lionheart's early negotiations with Saladin, Arab sources claim a proposal was made to marry Richard's sister Joanna, the dowager queen of Sicily, to Saladin's brother al-Adil. In this excerpt, Joanna discusses the proposal with Eschiva d'Ibelin, one of her ladies.
In this excerpt, Balian d'Ibelin has gone to the Sultan Saladin with a peace proposal from one of the two claimants to the Throne of Jerusalem, Conrad de Montferrat. The situation is made awkward by the fact that the Saracen Sultan now occupies the palace that had once belonged to his brother. This incident is based on history. It was Ibelin's attempt to negotiate a peace treaty with Saladin for Montferrat that aroused the ire of English chroniclers and made them call him traitor.
The Battle of Arsuf was the first confrontation between Richard the Lionheart and Saladin across a battlefield. It was a hard-fought battle with an ambivalent conclusion. Read an excerpt from awarding-winning "Envoy of Jerusalem" -- recipient of the Book Excellence Award for Biography and the Readers' Favorite Award for Christian Historical Fiction and more.
Although she reigned for 15 years, Queen Isabella I of Jerusalem is usually portrayed in history and literature as a pawn - a woman without a will of her own. I think that portrayal is flawed. The attached scene describes a real incident: the attempt of the French crusaders to take control of Tyre after the assassination of Conrad de Montferrat. It was foiled by Isabella's determination -- and the loyalty of Montferrat's men to her.
In 1190, Isabella of Jerusalem was dragged from the tent of the man she had viewed as her husband ever since her marriage to him seven years earlier at the age of 11. She taken in custody by the Church, and an ecclesiastic tribunal headed by the papal legate was convened to investigate the validity of that marriage. Behind this dramatic move, was the High Court of Jerusalem. With the death of her sister Sibylla, they recognized Isabella as their rightful queen, but vehemently refused to acknowledge her young husband Humphrey as their king. The High Court had a clear position: Isabella had to be separated from her husband Humphrey -- or she would not wear the crown of Jerusalem. In this excerpt Isabella is a secret witness to the church tribunals proceedings.
Writing about famous historical figures is always a challenge for a novelist, but Richard the Lionheart poses particular problems. He was controversial even in his own lifetime and to this day tends to provoke strong reactions -- both positive and negative. Few of his actions is more widely condemned today than his execution of several thousand hostages after the surrender of Acre in 1191. Most commentators focus on the fate of the Saracen hostages, forgetting that when negotiations broke down the fate of thousands of Christian captives also hung in the balance. Read how I handle this incident in "Envoy of Jerusalem."
Guy and Aimery de Lusignan were brothers. And both would be kings of Jerusalem, but under very different circumstances. Guy alienated the barons of Jerusalem and led them to an unnecessary defeat at the Battle of Hattin. Aimery was elected king by the same barons who had rejected his brother, and did much to restore the kingdom his brother had destroyed. In this excerpt, we see the interplay between the brothers in the critical phase after the loss of the kingdom but before the Third Crusade.
In this excerpt, Reginald of Sidon, who has been the Sultan Saladin's "guest" during negotiations over the surrender of his castle Belfort, reports back to Balian d'Ibelin his impressions and insights.
In 1187 the Armies of Saladin overran the crusader Kingdom of Jerusalem with the exception of the City of Tyre. The city was besieged by land and sea until January 1188, when the Sultan's armies withdrew, but it remained an isolated and vulnerable outpost. Survival depended on relief and reinforcements from the West. When, in the summer of 1188, a large fleet of approaching ships was sighted, the citizens swarmed to walls -- fearing a new Saracen blockade and praying for help from the West.
After the fall of the Kingdom of Jerusalem, tens of thousands of Christian women and children were enslaved. Most were widows and orphans, but some had fighting men, who had escaped the debacle at Hattin yet been unable to rescue their loved ones. This scene focuses on one such man, Sir Bartholomew.
As the defenseless Kingdom of Jerusalem fell city-by-city, the civilian inhabitants were largely allowed to withdraw with the moveable goods to the last remaining Christian bastion: Tyre. But what did women and children, who had lost their "bread-earner," do there? In this excerpt, Maria Comnena (disguised as a widow) interviews the young woman that her husband's squire wishes to marry. As the girl will join her household, she wants to know more about her character.
Between to fall of the Kingdom of Jerusalem and the arrival of the Third Crusade, Tyre clung tenaciously to its precarious independence. This excerpt describes the every-day reality for those Christians striving to survive in a transformed world -- and a medieval father-son relationship.
At the end of 1187, the armies of Saladin completely enclosed the last city in the Holy Land still in Christian hands, Tyre. The city, flooded with refugees, was cut off by land and sea. The defenders were far too few to take on Saladin's vast army, but it was clear the city would be starved into submission unless the naval blockade could be broken. That was when the Marquis of Montferrat devised a clever trick. This excerpt describes this true historical event through the eyes of my character Ernoul.
In December 1187, Tyre was the last city in the Holy Land still in Christian hands -- and it was besieged by land and sea by the Saracens. Supplies were running low, and the Frankish forces inside Tyre had to find a way to break the blockade.... In this scene, the Baron of Ibelin seeks out unusual allies in a tavern by the port.
Eschiva d'Ibelin, the wife of Aimery de Lusignan, was the co-founder of the dynasty that reigned Cyprus for 300 years, but historians treat her as nothing more than a link in a genealogy table -- a critical link between two families that allegedly hated one another. But Eschiva was a flesh and blood woman, a woman with feelings, loyalties, dreams and doubts. I have tried to give her a voice in my novels. Here is a scene after the fall of Jerusalem, when her father is in self-imposed exile, her husband in Saracen captivity, and her uncle Balian her only hope.
The fall of Jerusalem to Saladin in 1187 shocked Christendom -- and ignited a new crusade. While the main body of troops came out under the Kings of England (Richard I) and France (Philip II), many crusaders came out on their own. In this episode, Balian d'Ibelin and his eight-year-old son encounter some of the early, independent crusaders: Norsemen.
After crushing the Christian army at the Battle of Hattin, Saladin's army went on to capture the rest of the Kingdom of Jerusalem until only a few fortresses and a single city - Tyre - held out. The defense of Tyre was commanded by Conrad de Montferrat, but the Sultan had taken his father, William de Montferrat captive at Hattin. The Sultan thought he had the means to force Tyre's surrender.....
When Balian d'Ibelin agreed to remain in Jerusalem to take command of the defense of Jerusalem against Saladin in 1187, he did not expect to survive. His wife and young children were sent to safety in Tyre, the only other city in Christian control. In this scene, after negotiating a surrender of the Holy City that allowed the bulk of the Christians to buy their freedom, Balian is himself reunited with his small children.
Refugees, the victims of war, are often not welcome. We see that today. It happened too after the fall of Jerusalem in 1187. In this excerpt, the Baron of Ibelin reaches the last remaining city of the kingdom still in Christian hands after leading a refugee column for eleven days. He finds the gates of the city where they had hoped to find refuge closed.
The psychological manipulation of prisoners is not a modern invention. Medieval man might not have used the same clinical terms, but they understood how to exploit the vulnerabilities of those in their power. In this excerpt, the young Frankish nobleman, Humphrey de Toron, has been in a dungeon for months following the defeat at Hattin. Unexpectedly, he is removed from prison and taken to meet a Saracen lord.
In this excerpt, the Queen of Jerusalem reveals to her husband that she is with child. While normally this would be a source of joy, both are currently in Saracen captivity: King Guy a prisoner of war since the Battle of Hattin, and Queen Sibylla ever since she voluntarily put herself in Saracen hands in order to be reunited with her husband.
In this excerpt we get inside Saladin's tent and hear his views of the novel's protagonist, Balian d'Ibelin (Ibn Barzan), and also his assessment of the overall situation following the surrender of Jerusalem.
Jerusalem has fallen to Saladin, but in the city of Tyre wait many of the families of Jerusalem's defenders, including the wife -- or is it widow? -- of Balian d'Ibelin. In this scene Maria Comnena, daughter of the Byzantine Imperial family, once Queen of Jerusalem returns to her temporary home late at night. She has been at church after receiving the news that Jerusalem, where her husband commanded the defense, has fallen.
This is the opening scene of "Envoy of Jerusalem." It's October 3, 1187 in the coastal city of Tyre -- the last remaining stronghold of the Kingdom of Jerusalem.
WINNER of the John E. Weaver Award for Medieval Fiction, the Feathered Quill Silver Award for Spiritual/ Religious Fiction, Readers' Favorite Silver Award for Christian Historical Fiction. This book, the second in the series, follows Balian as he struggles to reconcile warring factions within the Kingdom of Jerusalem while fighting the ever-stronger Saladin. It describes the fateful battle of Hattin and the defense of Jerusalem with an army of refuges, children and women that followed.
Witnessing today the self-sacrifice of our health care professionals is inspiring and humbling. I know I could not do what they are doing. I'm not proud of that, just realistic. I am someone who can hardly deal with a household accident! You would not want me looking after you after an accident! People with the gift of dealing with injury, illness and death inspire me with awe. And they have existed all through the ages. This excerpt is very short, but it honors the women who served with the Knights Hospitaller. In this scene they are trapped in the city of Jerusalem, which is surrounded, assaulted and bombarded by the armies of Saladin.
Maybe it is because I write historical fiction based on the historical record -- which means there aren't any surprises in what actually happened -- but my greatest surprises often come from the secondary (read: fictional) characters. When writing about Saladin's siege of Jerusalem in 1187, it was very clear what was going to happen to Balian, Maria, their children and also the Patriarch of Jerusalem etc. Yet, I wanted to show too what the siege was like for ordinary people -- the people who would pay the ultimate price that queens and archbishops almost always avoided paying. I wanted a worker, a craftsman, and suddenly I had an entire family and a plot-line that yielded some of the most powerful scenes of this entire trilogy. Meet Godwin Olafsen.
"Heroes" are people who do something exceptional and beneficial for another being. That can be something monumental like saving a city from destruction (as Balian d'Ibelin did at Jerusalem) but it can also be something much, much simpler. The hero of this scene is an orphaned serving girl.
Negative characters are essential to every novel -- and not all of them are male! While the historical record often glosses over women and their feelings, an understanding of human nature tells us that there were bitter rivalries and vicious struggles between women -- particularly when they shared a love of the same man. In this scene, Eschiva d'Ibelin, the young bride of Aimery de Lusignan must face her husband's former lover and a jealous princess.
The main female character in all three books of the Jerusalem Trilogy and "The Last Crusader Kingdom" is Maria Comnena, a historical figure. In the course of the four novels she goes from being a reigning queen still in her teens, to a grandmother in her late forties. My introduction to her in each book reflects her changing status and role. In this excerpt from the second book in the series, Maria is now a young wife, married to the man of her own choosing, the Baron of Ibelin.
As a novelist I must use words not images to describe my characters. Here is an example, a description of the "Leper King" Baldwin IV of Jerusalem. My intention with this description, of course, is to help the reader see the youth -- and also sympathize with him.
When writing a series, such as my Jerusalem Trilogy, writing the first scene of the later books presents an additional challenge: the author has to assume that some readers will already be familiar with the characters, and other not. For both, the first scene needs to set the scene and catch the reader's attention -- while not boring readers already familiar with the overall story from the earlier book(s). Here's how I approached the second book in the series.
When Guy de Lusignan usurped the crown of Jerusalem in 1186, most of the knights and barons of the kingdom submitted to his rule despite inner reservations. But not all were so docile. In this scene based on an historical account, the Baron of Ramla has been summoned by Guy de Lusignan to Acre to take the oath of homage.
In 1185, the Count of Tripoli acting as regent for the eight-year-old King Baldwin V of Jerusalem sought a truce with Salah ad-Din (Saladin). In this excerpt, the Sultan discusses with his brother, son and nephew the offer -- and the messenger, Balian d'Ibelin (known to the Saracens as Ibn Barzan).
Everyone vaguely familiar with the Middle Ages have heard of them, but few people nowadays appreciate just how essential squires were to medieval warfare. In this excerpt, the Lord of Ibelin's squires look after his horses on the eve of the Battle of Hattin -- and discuss the situation.
At the age of eight, Isabella of Jerusalem was taken from the only home she had ever known and placed in the care of a man already notorious for torturing churchmen, plundering peaceful, Christian territory, and breaking truces: Reynald de Chatillon. She shared her fate with her future husband, Humphrey de Toron. Both children bore the psychological scars of their years with Chatillon the rest of their lives. In this episode, Isabella is determined to force Chatillon to release her and Humphrey from their desert prison, the notorious border fortress of Kerak on the edge of Sinai.
Sibylla of Jerusalem was devoted to her second husband, Guy de Lusignan -- so much so that she never showed a flicker of responsibility to her subjects. In the following excerpt, set in Jerusalem after the destruction of the Frankish army at the Battle of Hattin but before the Saracen siege, the Patriarch seeks out the dowager queen, Maria Comnena -- because Queen Sibylla is not able to help him.
In this weeks blog post (http://schradershistoricalfiction.blogspot.com) I talk about how difficult I found it to write about Guy de Lusignan because I never came to a full understanding of what made him tick. His historical role was too great to ignore, however. This scene is based on a known historical confrontation between Guy, then Count of Jaffa and Regent of the kingdom, and the invalided King Baldwin IV of Jerusalem, more commonly called "The Leper King." While we know the outcome of the confrontation, no one really knows what was said. Here's my interpretation.
"Defender of Jerusalem" is the winner of five literary accolades, and has won praise from professional reviewers as well as readers.
By September 30, 1187, after a ferocious defense by the Christian inhabitants, the walls of Jerusalem were breached by the Saracen forces led by the Sultan Salah ad-Din (Saladin). The defenders, composed predominantly of women, children and clerics, could expect only slaughter and slavery. But that didn't happen. An excerpt from "Defender of Jerusalem" based on first hand accounts.
In 1187 Jerusalem was defended against the armies of Saladin by just 80 newly-made knights and civilians. The latter were predominantly refugees. Women and children out-numbered men by 50 to one. The men were mostly clerics, priests and monks, with some youths too young and men too old to serve with the army. Yet they held off the full force of Saladin's army for nearly nine days.
Leprosy was endemic in the Holy Land during the 12-14th century, and fear of contagion dictated a segregation of lepers from the rest of society. However, lepers were not despised, but rather lived in organized communities supported by donations and elected their own leaders. (Women, by the way, generally voted along with men as equal members.) In this scene, the leper community of Jerusalem debates what they should do when the armies of Saladin arrive to besiege the Holy City.
The Baron of Ibelin broke his word to the Sultan to remain in Jerusalem and command the defense. He did not expect to survive. His wife and children, however, were granted an escort to safety by Saladin. In this scene Balian takes his last leave of his wife Maria Comnena.
When Balian d'Ibelin made the decision to remain in Jerusalem to organize the defense, he put his wife and children at risk. The conditions of Ibelin's safe-conduct to the city had been that he remain only a single night. Because he broke his word to the Sultan, he could expect no mercy. The price would be paid, he presumed, by his wife and children as well as himself.
The Christian army has been crushed. City after city has fallen to Saladin. Trapped in Jerusalem are 60,000 people, mostly refugees. There are fifty women and children for every man, and only two knights. Yet these people refuse to surrender the holiest city in Christendom, and they have asked the Baron of Ibelin, who has a safe-conduct to take his family out of the doomed city to stay and command their defense. Now he must decide....
September 1187. The Frankish army has been crushed at Hattin. The rest of the crusader kingdom has fallen to Saladin. Jerusalem is flooded with as many as 60,000 refugees. While the Patriarch speaks of martyrdom and Saladin vows to slaughter or enslave the entire population. The women and children trapped in the Holy City have nothing to say about their fate.... John d'Ibelin is eight years old and he too is trapped in Jeusalem when a miracle happens.
Saladin, Sultan of Egypt and Syria, has obliterated the Frankish army at the Battle of Hattin and subdued every city in the Kingdom except Tyre and Jerusalem. In this scene the Sultan is at ease in his siege tent before Tyre, when one of the few Christian lords still at liberty comes under a flag of truce. The man, Balian Baron of Ibelin, makes a -- to the Sultan -- bizarre request.
In 1186, the Kingdom of Jerusalem faced the greatest crisis of its existence. After the usurpation of the crown by Guy de Lusignan, the most powerful of all the barons, the Count of Tripoli, refused to do homage. Indeed, he made a separate peace with the Saracens. King Guy responded by calling up the feudal levees and preparing to attack his own vassal. Almost no one showed up. In this scene the Baron of Ibelin confronts the King.
Feudalism was built on bonds of loyalty -- vassals to lords, and barons to the king. But what if the king was a usurper, unfit to rule, or both? This was the dilemma faced by the barons of Jerusalem after Sibylla seized the throne in a coup d'etat and crowned her unpopular and incompetent husband Guy de Lusignan as her consort. In this passage, the young lord Humphrey de Toron, who is husband of the other legitimate claimant to to the throne (Isabella), breaks ranks with his fellow barons.
The young nobleman, Humphrey de Toron, was one of the Frankish lords taken captive after the annihilation of the Christian army at Hattin. This excerpt describes how he experiences the defeat.
The Christian army under Guy de Lusignan was obliterated on the Horns of Hattin, July 4, 1187. This is how the situation would have looked for the civilian population of the Kingdom of Jerusalem.
In this excerpt, the Baron of Ramla, half-mad with grief after the death of his wife and son, senses the doom about to envelop the entire Kingdom of Jerusalem. It is an ominous premonition....
Medieval noblewomen were expected to defend their castles in wartime. No, they didn't put on armor and they couldn't use swords or bows, but they commanded the men of their garrison. In this excerpt, the army of Saladin has swept down on the unwalled city of Nablus while the lord and all his knights are away defending the border. The Lady of Ibelin is in the citadel with the few fighting men left behind -- and the entire civilian population of the city.
In this excerpt (based on historical fact), the guests for a royal wedding are gathering when some uninvited guests arrive. The wedding is being held at the border castle of Kerak, south of the Dead Sea, and the bride is the 11 year old Princess Isabella of Jerusalem. When the scene opens, she is trying on her wedding gown with her mother and aunts.
Invalids are at the mercy of their care-givers -- even when they are kings. And those caring for a king do not always have their patient's best interests in mind. In this excerpt, King Baldwin IV, a young man slowly dying of leprosy, recovers from a fever to discover his most loyal servant is no longer with him -- and why.
In this excerpt three leading barons of the Kingdom of Jerusalem get a glimpse of what kind of leader their future king -- the new husband of the heiress to the throne -- is. It isn't reassuring....
Isabella of Jerusalem was taken from her mother at the age of eight and forced to live under the roof of one a notoriously brutal man: Reynald de Chatillon, the Lord of Oultrejourdain. Her only friend in his barren border fortress of Kerak was her future husband, Humphrey. But as this scene shows, when it came to confronting their "guardian" (read jailor) it was Isabella who was more courageous.
Ambitious men can be brutal and unscrupulous in any age or society. In this excerpt Balian d'Ibelin comes face to face with his young brother, who has led naval raids against unarmed Muslim pilgrims on the Red Sea for the sake of the rewards offered.
Princesses in the 12th Century lived in comparative luxury, enjoyed a good education, and had prospects of future power, but they were first and foremost pawns in the politics of their guardians. In this scene Princess Isabella of Jerusalem, who has been taken from her mother and beloved stepfather on the orders of the King, finds out more about why -- and decides how to face her fate.
Aimery of Jerusalem set aside his wife, Agnes de Courtenay, in order to become king of Jerusalem. He subsequently married the Byzantine Princess Maria Comnena. But when Aimery died, it was Agnes' son Baldwin who followed his father on the throne. Agnes became the power behind the throne, and one of her first acts was to seize control of Maria's young daughter Isabella. In this scene Maria, who has been denied the right to even see her child for two years. confronts Agnes.
In the Middle Ages -- as in poor countries today -- the treatment of animals, particularly "beasts of burden," could be heartless. In this scene Beth, a Muslim girl who was the victim of gang rape during the sack of the town of Ibelin, recognizes a fellow victim in a donkey. For the first time in her life stands up to a man -- and discovers an unexpected friend.
Leprosy was common in the Holy Land in the Middle Ages, and a large leper hospital was located just outside the walls of Jerusalem. But lepers were not abhorred or outcast from society because the disease was considered "holy" -- and because one of the Kings of Jerusalem, Baldwin IV, was himself a leper. In this scene, a young knight suffering from the early stages of leprosy is offered a new opportunity.
Peace has always been fragile in the Middle East, and outbursts of violence are often sparked by individuals with dubious motives. In this scene the King of Jerusalem confronts the Lord of Outlrejourdain for breaking a peace treaty. The rogue Frankish baron has enriched himself by plundering a Saracen caravan, but he refuses to pay compensation--with the inevitable result of escalation.
In the 12th Century, children were often betrothed very young and the bride-to-be often moved in with her future in-laws. Usually the arrangement helped the young couple get to know and like one another. But when the bride-to-be was a princess, and the betrothal arranged not by her parents but the king, the motives could be different. In this scene, Maria, widowed Queen of Jerusalem, reveals her fears for her daughter of her first marriage, Princess Isabella, to her second husband. Isabella has been taken from her by the woman who hates her most: the current Queen Mother Agnes.
The marriage of Princess Sibylla of Jerusalem with the landless knight Guy de Lusignan was arguably one of the most disastrous love-matches in history. Guy would lead the Christian army to an unnecessary but devastating defeat that ultimately resulted the complete loss of the Christian Kingdom of Jerusalem. In this scene, Sibylla's brother, King Baldwin IV is manipulated by his mother into consenting to the marriage--despite his own profound doubts about Guy's capabilities.
A bath after a journey was a medieval luxury recorded in many miniatures and romances. It was often a moment of rare intimacy between husband and wife -- as here when Balian is reunited with is wife Maria Zoe after the Battle on the Litani.
In the 12th century marriages were about alliances and children were pawns. Parents often arranged marriages for children that were still very young. The bride in child marriages sometimes remained with her own family until she was mature enough to consummate the marriage. Eschiva d'Ibelin, daughter of Baldwin, Baron of Ramla, was married at the age of eight to the already adult Aimery de Lusignan. She remained in the household of her uncle Balian. In this scene, Aimery returning from the Battle on the Litani stops at Ibelin. He has not thought about his bride for years.
Throughout the High Middle Ages it was customary for men of means to be held for ransom (rather than killed) if they fell into their enemy's hands. Ransom demands were usually steep, but they could also be crippling, impoverishing the man's family. In this scene, an emissary from Saladin brings word to Balian of Ibelin that his elder brother is now a prisoner of the Sultan and names the ransom.
Agnes de Courtenay was the sinister power behind her son, King Baldwin IV of Jerusalem. She used her influence to raise to positions of power her ineffective brother and her former lovers. Yet at no time was her influence more fateful and detrimental than when she convinced her son to allow his sister (and heir) to marry Guy de Lusignan. Guy was both arrogant and incompetent. In less than a decade he had led the army of Jerusalem to a disastrous defeat. Watch her at work here:
The Templars earned a reputation for being fierce and effective fighting men. They were sometimes the only disciplined force on a battlefield, but their unquestioning obedience to their officers meant that a bad Master could led them to disaster. Such was the case at the Battle on the Litani described here.
In the film "The Kingdom of Heaven" the relationship between Baldwin IV (the Leper King) and his sister Sibylla is a loving one. The historical record suggests much more tension and strain. In this excerpt, Baldwin is alone with one of his household knights. He is only starting to recover from a fever during which he named Sibylla's husband Guy regent of Jerusalem.
The first chapter, the first paragraph, the first sentence.... It is so important. It has to hook the reader, of course, but also be relevant to the entire book. It has to set the scene, introduce the key characters, and ignite the plot. No easy task. Does this work?
Leonidas, the Hero of Thermopylae. In 480 BC he would defy an army half a million strong. But who was Leonidas? As the youngest son of King Anaxandridas, he went barefoot and hungry like the other Spartan boys in the infamous Agoge. Now, a young man, he has only one goal, to be the perfect Spartan citizen, A Peerless Peer. In search of a wife, Leonidas courts a beauty, But another young woman knows she is destined to be his queen: Gorgo This is their story.
Sparta was elected to lead the coalition of Greek cities opposing the Persian invasion in 480 BC not only on land but also at sea. Compared to Athens and Corinth, Sparta’s navy was small, but Sparta’s naval tradition was considerably longer than numbers suggest, and Sparta’s perioikoi marines may have enjoyed a strong reputation for competence since they often fought alongside the Spartans. Find out what that might have looked like at in this excerpt. The Spartans have been asked by their coalition partner Corinth to provide protection for a fleet of merchantmen bringing grain across the Aeginan during the Ionian Revolt. After a storm, many merchant ships are damaged and barely able to sail. Leonidas is in command of their defense.
An Athenian symposium was very different from a Spartan syssitia, and Leonidas feels like a fish out of water when the "central attraction" arrives.
There was nothing inevitable about the election of Leonidas leader of the Greek coalition that defied Persia in 480 BC. In my biographical novel of Leonidas, I hypothesize that well before 480 BC he had won a reputation among the Greek city-states for not only military competence but also fair treatment of Allies. In this excerpt from "A Peerless Peer," I show Leonidas in action in a Spartan diplomatic coup: luring the city-state of Mycene out of Argos' sphere of influence and into their own.
One of the most significant differences between Sparta and Athens was in the different treatment of girls. In Athens they were from birth confined to the inside of the house, not allowed to engage in exercise, and not fed the same diet as the brothers. Nor were they taught to read and write. They were then married as soon as they reached puberty. Spartan girls, in contrast, were fed the same wholesome diet as their brothers, took part in sports, and went to school where they learned to read and write. In this excerpt 8-year old Gorgo, encounters her first Athenians.
Leonidas, the hero of Thermopylae, was the youngest of four Agiad princes. He never expected to be King of Sparta. For the bulk of his life he was just an "ordinary" Spartan, a Peer. In this excerpt, Leonidas is just 21 years old and a new citizen. He has not distinguished himself in any way -- until now.
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