Your Step-by-Step Guide to Living a Fuller, More Authentic Life! ••• Is stress making you sick? Is anxiety wearing you down? Have the pressures of daily life hijacked your dreams? Let The Way of the Fool show you how easy it can be to renew your sense of purpose and reawaken your zest for life...the life you were meant to live!
As I wrote the words that I excerpted for this book bubble, I was sitting at a picnic table overlooking the Willamette River in Portland, OR. It was a glorious spring day, not too hot, with a cool breeze whispering at me through the trees. The river was sparkling with reflected sunlight, I was surrounded by the lushness of spring-awakened verdure, and despite the low rumble of city sound, the air was alive with birdsong. I could have filled a whole book with the magic and miracle of that moment, and it was from that place of awareness that The Way of the Fool's Step #10 – Embrace the Magic – was born. That's because I realized that when I open my eyes and mind to the miracles always present in my life and to the magic always present in the world around me, I am able to dissolve the stress and anxiety that too easily infects me. What about you?
Funny thing about this books's Step #10: The Way of the Fool was the first of my 16 books to not demand that I "embrace the mystery" while writing it. ••• You see, with all my other books I began writing with only the vaguest sense of what they would be about. I never planned, plotted or outlined. The Way of the Fool was different. The idea for the book came to me nearly fully formed: I knew the title, I knew how the book would be structured and I had a pretty clear sense of the content. As a result here was no mystery to embrace, to surrender to or to unravel. Sure, there were things I discovered along the way...like that 12½th step! But knowing so much so clearly at the outset was probably why the book wrote itself in record time: precisely 10 weeks from the moment of conception to the day of publication. ••• Yet even I if was spared Step #10 while writing the The Way of the Fool, I have been called to "embrace the mystery" countless times in my life. I have also lived each of The Way of the Fool's other 11½ steps multiple times over the years. Hell, I've lived all 12½ of them this week, including #10!
Esther and Sarah share a single passion: to be the best they can be – on an epic scale. That's easier dreamed than done in Jewish Montreal on the eve of World War II. Fifty years later when death takes Esther, her son and her old friend must each decide whether Esther's abandoned dreams will defeat them or spur them on to triumphs of their own.
Anne Savage and her 1935 painting, "Quebec Farm," play pivotal roles in Sara's Year over the story's 50-year timespan. While my Anne Savage is fictionalized, the real-life Anne Savage was a well-known Montreal artist and educator, who just happened to have taught my mother! Curious about Savage and her painting? Visit the Sara's Year Pinterest board at www.pinterest.com/sarasyear.
When I found myself in the midst of a health scare last year, one of the questions I had to ask myself was, "If I’m going to die sooner rather than later, what do I want to be sure I do before I go?" To my surprise, the answer was "write another novel." Although I had a vague idea for an opening scene, what emerged in that first day’s writing stunned me. I didn't expect Bernie to be a principal character (he is) and I never expected him to walk out on his mother's funeral, which he does in this opening-scene excerpt. That surprise was the first of many as Sara's Year poured out of me with a speed and clarity I had rarely before experienced in my writing, each surprise leaving me more in awe than the last. While there were too many surprises to chronicle here, I will share one: Although I knew the book’s title that first day, when I wrote the opening scene in a Santa Monica Starbucks, it made no sense to me. It continued to baffle me through the entire first draft…until the final scene emerged. Only then did I understand why it was “Sara’s Year.” Why? For that you’ll have to read the book!
"It's a matter of death...and life!" When Emmeline Mandeville spends the final months of her 93rd year reflecting on her eccentric, iconoclastic past, she can't know how profoundly her reminiscences will weave through the lives of the men and women who find themselves living in her house a decade and a half later.
It's easy, as we age, to spend more time looking backward than looking forward. After all, once we move into and past middle age, the odds are fairly good that we have more years behind us than will have ahead of us. Even at 92, however, Emmeline Mandeville is more focused on the present than on the past, more interested in living out whatever time she has left than on concerning herself with an illusory afterlife. "Whatever fixed time remains to me is as precious as all the years that have preceded it, and I am determined to live it out as uncompromisingly as this decaying body will allow." I'm not 92, and my body is not decaying – at least not any more quickly than any other 63-year-old's. But Emmeline's attitudes toward life and living were a powerful gift as she revealed herself to me on the pages of this book, inspiring me to do my best to live as uncompromisingly as she did. I definitely want to be Emmeline when I grow up!
That's 90s as in age, not as in the 1990s, and the nonagenarian in this first-person excerpt is the feisty, eccentrically iconoclastic Emmeline Mandeville, who is as unashamedly sexual at 92 as she was at 19, back in the final years of Victoria's reign. Emmeline was a minor character in my novel After Sara's Year, but she was pushy enough that she wasn't shy about demanding a book of her own! If the Emmeline Papers is not all about her, her frank and touching musings on life and aging frame the story of the friends and lovers who find themselves living in her London townhouse 14 years after her death. Even if no author (like no parent) should ever declare a favorite offspring, I have to confess that Emmeline is one of mine!
Art plays a key role in all my Sara Stories novels. Three of the main characters in Sara's Year, After Sara's Year and The Emmeline Papers are artists, and in each of the books, one well-known real-life artist is a powerful inspiration to at least one of the protagonists. In Sara's Year, it's Montreal's Anne Savage, herself a character in the story. In After Sara's Year, it's Quebec's Paul-Émile Borduas. And in The Emmeline Papers, it's Holocaust survivor Naomi Blake. In one of the serendipitous acts of synchronicity that occurred so often while writing each of the Sara books, I discovered that "View," the sculpture commissioned from Blake for the Queen's Silver Jubilee, sat in London's Fitzroy Square only after I placed much of Emmeline's action in a house just off the square!
Marc-Allan Cameron hasn't felt alive in 30 years. For Sadie Finkel, it's been more than 50. When life comes knocking, will they let it in? ––– The newest spellbinding addition to the award-winning Sara Stories
When I wrote Sara's Year, the first book of what is now The Sara Stories, there were no "Sara Stories." As far as I was concerned, my tale of Esther, Sarah, Mac and Bernie was a one-off. The book had come to a satisfactory conclusion and I had no plans to spend any more time with those characters. Then I released Sara's Year and started hearing from readers. That they all loved the book was gratifying. That they wanted more was startling. My first response was "no way." But then the Sara's Year characters I thought I was done with started haunting me, teasing me with more bits of their story. And After Sara's Year was born!
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I'm always amazed when authors who are clearly eager to sell their books using social media set up profiles that are are anything but social. The have no profile pic, for example, or the avatar they choose to display reveals nothing about who they are to potential readers. Maybe it doesn't show their face or they look angry or unhappy. Or the photo is poorly lit or out of focus. Or it shows their book cover instead of them. As I note in the excerpt, I like to think of social media as a giant online cocktail party. Don't you want to see who you're talking with at a party before you strike up a conversation? Whether it’s Facebook, Twitter, LinkedIn, Instagram, Google or just about any other social network, the first thing that people see of you online is your profile picture. First impressions matter!
If you have read any of my books on writing, you will know that my first “rule” for pretty much everything is that there are no rules. Creativity is about innovation, which means it can’t be about following someone else’s way of doing things. It's pretty much the same in the social media world. How could it not be when you're dealing with a blend of people (inconsistent, mercurial) and technology (dynamic, revolutionary). The good news is that you already possess the skills you need to navigate through this sometimes murky sea. It’s the same skill set you use in writing and in life: an amalgam of flexibility and adaptability, instinct and intuition, creativity and innovation. So my Rule #2 isn't a rule at all. Like all the rules in this book, it's a guideline that I encourage you to adapt to your needs and make your own.
Learn practical, fun techniques guaranteed to get your stories on paper. Weave worlds of wonder beyond your conscious imagining. Discover how to write naturally, eloquently and without struggle. Whether you’re a seasoned writer or just starting out, whatever your genre or form, The Voice of the Muse will deepen your creative experience and awaken you to new skills, new stories and a renewed confidence in your innate gifts. You'll never feel the same about writing again! ••• Two-time award-winner. ••• Also on Google Play
All my books for writers include a set of so-called "rules" for writers. And although they vary from title to title depending on the book's theme, they all share the same first and final rule: There are no rules. After all, creativity is about innovation, about breaking new ground. So how can there be rules? I grew up surrounded by shoulds and musts, imposed directly by teachers and indirectly by family and societal expectations. The result? A creative blockage that didn't really unjam until my 30s. It was from that experience that this and all my "rules" evolved. Whatever you're writing, whenever you're writing it, listen for the book (or short story or poem or screenplay or stage play or essay) that demands to be written. Then write as *it* demands to be written, not according to anyone else's rules or strictures.
There's a lot more about the Muse Stream in this and all my books for writers. But in short, as the excerpt suggests, writing on the Muse Stream is writing without stopping – for any reason. By keeping your pen moving across the page or your fingers dancing across the keyboard, you not only banish your inner critic but you travel beyond your conscious imagining into those realms of magic and wonder where the heart of your creativity resides. I have written all my books, screenplays and stage plays on the Muse Stream, so I know it works! The Muse Stream also forms the foundation of all my books for writers, not to mention all my classes and workshop. Why do I call it "Muse Stream"? Because I believe that when we surrender to our Muse, creativity pours through us as effortlessly as water in a free-flowing stream.
I don't know about you, but what I write never seems to be more than a pale, imperfect rendering of what I imagine. Even after so many books, I still find it frustrating! That's why I keep turning back to this chapter in The Voice of the Muse. It reminds me that however magnificent our language is, words can only ever approximate the infinite sweep of the imagination. It also reminds me that my job is not to be perfect but to let the imperfection of language give readers the space to have their own imaginative journey. If the perfectionist in me isn't happy about this, the creator in me knows that perfectionism serves neither me nor my readers.
YOU Have a Book In You! Let Mark David Gerson show you how easy it can be to let that book out, with dynamic tools to get you started and keep you writing, surefire techniques to spark new concepts, new content and new ideas, and compelling inspiration to keep you motivated, committed and impassioned. You don’t even have to know what your book is about! ••• 82% of Americans say they plan to write a book someday...Will you be one of the few who does? Start Birthing Your Book today! ••• Also available on Google Play
It wasn't long after I started writing Birthing Your Book that I came across the statistic I mention in its Bublish blurb: "82% of Americans say they want to write a book someday." Maybe I shouldn't have been surprised ...but I was! After all, that's about 250 million wannabe authors!! Of course, the more dramatic statistic would be the tiny number who sit down to start writing a book and the even tinier number who ever finish. Because even if writing a books is a potent fantasy, it takes passion, commitment, determination and resilience to take on the long-term enterprise that is book-writing. What it doesn't take, however, is an English degree (I don't have one) or a comprehensive idea/detailed outline (I've never had either when starting a new book). In fact, believe so strongly that anyone can write a book – even if they start out without knowing what that book is going to be about – that I wrote this one!
I was living in Nova Scotia, taking an unplanned hiatus from work on my first book (The MoonQuest), when I happened to read my horoscope in the Halifax Chronicle-Herald: "Lose your mind and follow your heart," Libras were counseled to do. It was apt advice for a newbie (but not young) novelist who was struggling to control a story he didn't understand, to surrender into a story he thought he knew nothing about. Of course, I knew the whole story...but I knew it in my heart, not in my head. And it was only by losing my mind and following my heart that I was able to write it. A few weeks later I returned to the novel. A few months later, I finished my first draft. And today, the story that lived in my heart has won multiple awards and is on its way to the big screen as an epic fantasy film!
I saw a meme the other day that urged writers to "edit without mercy." Once upon a time, I was that kind of slash-and-burn editor – on my work as well as on others'. Then I realized that if I was beating up my manuscript, I was also beating myself up. After all, what is my work if not an extension of me? It was then that I knew I had to find a new paradigm. Now, whether working on my manuscript or yours, I view the process as an act of re-vision: of revisiting the original vision for the work and gently, compassionately and, yes, mercifully, honing and shaping it as a jeweler would a gemstone. For that's what your work is: a precious jewel that needs loving, respectful attention, not brutal, mean-spirited abuse.
I never know what my books will be about when I start writing them. All I know as I begin to write is that I'm writing, is that I'm answering the call of my Muse. With three of my books, I didn’t even realize I was writing a book when I started out. With this book, all I had when I began was a title, a philosophy and 20 years' teaching, coaching and writing experience. No outline. No chapter listing. No direction. Nothing. No, that's not true. I had trust in the superior wisdom of this book that was calling me and a willingness to surrender to that wisdom. In the end, that's what Birthing Your Book is about. That's what birthing all my books has been about. That's what birthing any book is about.
Share Your Wisdom...naturally, spontaneously and without struggle ••• Craft Rich, Compelling Stories...regardless of writing experience or perceived ability ••• Engage, Entertain and Inspire...with eloquence, confidence and ease. ••• What you have lived is unique. What you have learned through your years of living is beyond price. And the value of all you share through your words is incalculable. ••• Get the stories of your life onto the page today! ••• Also available on Google Play.
My memoir (Acts of Surrender: A Writer's Memoir) contains quite a few stories with the potential to embarrass or annoy. And while I was writing and revising it, I had to keep asking myself whether those particular stories belonged in the book and what the implications might be of including them. In the end, though, I had to follow my own "rules" and trust my intuition to know which stories supported the book's themes and needed to stay, which stories might be too hurtful and could have names changed and which stories were superfluous and had to go. The result? Minimal blowback: One old friend was deeply hurt about something I wrote but, in the end, understood why that story was important to the narrative. And the book has received terrific reviews and reader feedback, largely because of my openness and honesty. Your readers want you to be truthful and vulnerable. That's what they're looking for when they pick up your book!
I often hear that question in memoir-writing workshops and it's one I always answer with some version of this excerpt from From Memory to Memoir. Then one day at the end of one of those workshops, a little voice whispered, "It's time to write your memoir." And before I could stop myself, I found myself asking that same question! It's true that we teach what we need to learn. It's also true that we teach what we need to remember. And I needed to remember my own oft-repeated words! So I wrote my memoir (Acts of Surrender: A Writer's Memoir), and then I wrote this book – for you, of course...but also for me!
You don't have to experience writer's block. Ever! You don’t have to sweat over a blank page. You don’t have to wonder where your next word is coming from. You can write -- naturally, eloquently and flowingly. Become one of Mark David's many writer's-block success stories: Free up your creative flow today! ••• Also available on Google Play
In the decade before The MoonQuest urged itself onto me, I was a freelance writer and editor. Most days, I sat at my home-office desk and prepared articles, brochures, reports, speeches and advertising copy that reflected someone else’s thoughts and ideas, and I did it to meet someone else’s deadlines. With the creative awakening that ended that way of life, I found that the only way I could banish old associations that felt anything but free-flowing was to break all the patterns of my previous writing world. First I abandoned the computer, composing The MoonQuest’s early drafts with pen and paper. Next, I abandoned my desk, bound as it was to the soul-numbing words that had so recently comprised my livelihood. On those days when I needed a more dramatic break from the old to connect with my nascent story, I drove down to the ocean and let the crashing Atlantic surf tell me what to write next. A one-day change of habit and venue was generally all it took to put me back on track.
From some untouchable moment in my childhood until my 30s, I refused to see myself as creative. In reality, I was blocked. Why? There are many reasons why we hold back from expressing ourselves, as the writing exercise in this excerpt will reveal. In my case, I was so terrified of being judged that it felt safer to stifle myself. So, my answer to the question posed in the exercise would be "safety." My unconscious belief was that not writing kept me safe. Once I began to recognize my fear of judgment for what it was, the walls that had blocked me from my creativity began to dissolve.
Forget everything you've read about rules. Forget everything you've read about structure. Forget everything you've read about writing for film. Go Organic and write screenplays the natural way! Learn how to craft engaging, compelling, entertaining stories easily, naturally and without struggle...whether you're a seasoned screenwriter or just starting out. ••• "Finally! A book for screenwriters that focuses on creativity, not rules." – Luke Yankee, screenwriter + author of "Just Outside the Spotlight" ••• Also available on Google Play
When I looked for a book to help me write my first screenplay, all I could find were bookstore shelves crammed with rules, formulas and templates. "No!" I cried. "Storytelling is about creativity, not engineering." So I ignored the books and their rules and wrote my screenplay my way, using the same intuitive tools I have always used. Later, after my first three scripts were optioned, I knew it was time to share my myth-busting approach...and Organic Screenwriting was born. (You're probably wondering whether my methods work. Remember that first screenplay? Optioned, along with its two successors.)
When I confess, during screenwriting workshops I’m facilitating, that I never outline, there are two opposing reactions from the group: a disapproving gasp from more conservative screenwriters and relieved sighs from the outline-challenged. I've always found myself in the second group. Even in school, I never outlined. Well, that's not entirely true: I wrote my essay first, then I crafted an outline to go with it. All these years later, I still find outlines suffocating and have outlined neither my books nor my screenplays. For me, trusting in the flow of the story as I write it always produces better, more imaginative work.
Mark David Gerson never wanted to be a writer, never believed in a world beyond that of his five senses. But when life began to chip away at his sense of self with a relentlessness that he couldn't ignore, he found himself launched on a spiritual journey that would redefine everything about him -- multiple times. It was a journey of surrender that ultimately birthed a timeless fantasy trilogy...and a new life he could never have imagined. ••• Also available on Google Play
For all its picture-postcard beauty, Hawaii was a difficult place to live...and not only because it was so expensive. Some metaphysical writers link each of the Hawaiian islands to one of the chakras — from the first or root chakra for the Big Island, through the second or sacral for Maui, all the way up the chain to the seventh, the crown chakra, for Niihau. The root chakra governs identity, security and survival; sexuality, fertility and creativity are the domain of the sacral chakra. We lived on both the Big Island and Maui during our three and a half years in Hawaii and, on each island, I experienced chakra-linked upheavals that felt as explosive as the volcanic eruptions that originally created the islands.
Without dishonoring those who lost their lives on 9/11 and in its aftermath, I'd like to focus, instead, on life and the miracle of birth. For it was on a different 9/11, two years before the Twin Towers came down, that my daughter was born...in true Virgo fashion, right on her due date : at 9:11 on 9/11.
Intuitive signs take many forms; some subtle, some less so. Nearly a decade after the event chronicled in this excerpt, I'm still not sure why I needed that level of violent disruption to end my 33-month full-time road odyssey and launch me on a new set of more stationary adventures. But apparently, I did! Sometimes it takes getting slammed across the side of the head by a cosmic two-by-four to get our attention...or, at least, mine!
It was on July 9, 1997 that, without consciously knowing what I was doing, I left my native Canada and launched into a new adventure in a new country. It would be nearly a decade before I set foot in Canada again. That single of "act of surrender" – turning south toward Minnesota instead of continuing west toward Winnipeg – would be the first of many over next ten years. In that time, I would call three U.S. states home; would marry, become a father and divorce; and would launch another open-ended road odyssey, this one lasting 30 months instead of the three that initiated my life in America.
I couldn't know, on July 1, 1997, that it would be my final Canada Day in my native country. I spent it camping in a provincial park near Thunder Bay, Ontario, little knowing that the open-ended road trip I had launched a few weeks earlier would soon not only carry me into the United States but keep me there. It would be nearly 10 years before I set foot in Canada again – a decade during which I would call three U.S. states home, would marry, become a father and divorce, and would launch another road odyssey, this one lasting 30 months instead of the three that in 1997 initiated this Canadian's life in America.
It took all the courage I could muster at age 20 to call Gay Montreal and stammer 'I-I think I'm gay' into the phone and then take the bus downtown and purposefully talk about it, face-to-face, with a gay man. That was my first coming out; there would be four more: at 39 when I reluctantly dropped the 'gay' label, at 43 when I married a woman and came out as no-longer-gay to my gay friends, at 50 when I lost the 'married' label, and at 54 when I came out all over again as a gay man. But the first 'coming out' is always the toughest...
Many of the stories I tell in Acts of Surrender were difficult to revisit and painful to write; none more so than this one, about saying goodbye to my five-year-old daughter. Ten years after that unexpected farewell, I still get teary rereading it. ••• A few months prior to that awkward parting, I had a presentiment that I would not get to see my daughter grow up. At the time, I couldn't imagine what might bring that to pass: my marriage was secure and my daughter was healthy. What could rip us apart and keep us separated? ••• In the end, we never know what challenges life will throw at us. In the end, we must find a way to transform those challenges into opportunities. I didn't get to see my daughter grow up. But I did get to father a beautiful child who, even at a distance, has been an incredible teacher to me. For that I will always be grateful.
Few of the stories I share about my father in Acts of Surrender are flattering. Physically and emotionally absent in my early childhood and dead before my 14th birthday, Sydney Gerson was not the kind of parental figure one thinks of as, well, much of a parental figure. On top of that, he was probably not my natural father, something I learned long after all the principals in that drama had passed away (another story I tell in Acts of Surrender). And yet I carry his name, and of the three fathers I have experienced in my life, he is the only one I ever think of as "Daddy."
Mark David Gerson makes the deeply personal profoundly universal in this inspiring journey from fear to fearlessness. Who is the Divine? It is that still, small voice that is not at all small. It is the soul-fired passion that lives in your heart. It is your Wisest Self. Let Mark David Gerson’s compelling inner journey inspire your own! ••• Includes a guide to launching a conversation with your Wisest Self. ••• Also available on Google Play
The books we don't expect to write can show up for us in any moment that we are open to them. Often, like our opportunities for growth, they arise most clearly when we step into the stillness. For me, an opportunity for both growth and new creation arose most powerfully and unexpectedly in the fall of 1997 in a sparsely furnished one-bedroom flat just outside Penetanguishene, across the road from the spirit-filled waters of Ontario's Georgian Bay. That's where this book I didn't know I would write happened to me...
The 'dialogues' in this book emerged from the silence and solitude of a frozen winter's retreat 100 miles north of Toronto. I was in Penetanguishene for many reasons; one of them, to write a fourth draft of my novel, The MoonQuest. On this particular afternoon, I found myself stuck, unwilling to follow the very advice I had by then been teaching for a few years: to abandon control, get out of the way and let the story tell itself through me.
A book of profound and transformative inspiration celebrated by readers around the world. This is a book you’ll return to again and again, each reading carrying you to deeper levels within yourself and propelling you forward on your journey of self-mastery. ••• Also available on Google Play
It can be hard to see ourselves as others see us, to see for ourselves the light we radiate and the strength and courage we project. I know that it's difficult for me some days to not only acknowledge praise but to see myself as worthy of that praise. It's so much easier to cower in the face of criticism than to accept myself as brilliant, radiant, powerful and empowered. Yet that's who I am and that's who you are. And it's time to embrace it – for ourselves, for each other and for the world.
So many of the writers and other creative artists I work with as a coach and workshop facilitator come to me because they're blocked. Some don't believe they're creative. Others don't believe they're creative enough. Still others have let some person or experience stifle them. I, too, know what it's like to be silenced: From my early childhood until my early 30s, my creative expression was also shut down. Even now, after 11 books and 3 screenplays, those primal fears sometimes reemerge. When they do, words like those in this excerpt end up being as much for me as they are for you!
Two men, a single destiny: Ben, grandson of Q'ntana's greatest Elderbard, and Bo'Ra K'n, whose despotism has ruled Q'ntana for generations. Whose vision will triumph? The gripping and startling conclusion to The Q'ntana Trilogy. ••• The final book in an an epic, time-twisting fantasy series that is soon to be a trio of major motion pictures. ••• Also available on Google Play
I know I didn't...at least not until it happened to me. It's no coincidence, of course, that it happens similarly for Ben, whose fictional story closely resembles my true one. Not surprisingly, there are also parallels between my story and My'leen's. If for My'leen the potential stumbling block is an age differences, for me it was something more fundamental: For the previous two decades, I had self-identified as a gay man. Suddenly, to my amazement, I had fallen in love (at first sight) with a woman! Yet what Ben points out to My'leen was as true for me as it is for her. "Love matters," he insists." Only love."
So much about the Q'ntana stories mirrors my own life and journey – metaphorically, of course, as I have never lived in a land with two suns, nor have I ever embarked on a Moon-, Star- or SunQuest. A truth in my life that transcends metaphor, however, is how little I know in each moment...and how much better it is for me that way, despite the inevitable frustration. That was certainly true of these Q'ntana stories, which birthed innocently in a writing class I was teaching and then went on to consume the next 20 years of my life. Like Ben in this excerpt, had I understood the full import of those first Q'ntana words, I might have let that knowledge interfere with the unfolding of The MoonQuest, The StarQuest and the SunQuest, a trio of stories that continues to bless me in so many ways.
Travel back in time to the Q'ntana before The MoonQuest. Here, despite the yoke of a ruthless brutality, a legend will not die...of the Heart of the Star and of the Fair One who will rekindle it to return peace to the land. ••• The second book in an an epic, time-twisting fantasy series that is soon to be a trio of major motion pictures. ••• Also available on Google Play
I didn't know Q'nta's story any more than Q'nta (in her amnesia) knew her own when I began writing The StarQuest. Even though The StarQuest follows The MoonQuest in my Q'ntana fantasy trilogy, its plot is largely independent of its predecessor's, and the story so challenged me that I started the first draft three times over 11 years before finally finding my way to the end. Despite my many false starts, though, every draft of The StarQuest began with this scene, so symbolic of the way I write: moment-by-moment, word-by-word, freeing the to story reveal itself to me in the writing of it the same way it reveals itself to you in the reading of it!
"This place" is The Coil, a serpentine tunnel that The StarQuest's three protagonists must travel in order to successfully complete their quest. I didn't know what Q'nta's greatest fear would be when she stepped into The Coil. When I found out, I was as stunned as she was, as I saw that Q'nta's nightmare was also mine. Like Q'nta's, my stories are the blood and air that course through me; without them, I would be barely alive. Perhaps that's why the power of storytelling is such a potent and persistent theme for me – not only in The Q'ntana Trilogy books but in all my books.
In a land where fear rules and storytelling spells death, only one bard's imagination can end the tyranny. Turning his back on king and family, a reluctant Toshar must embark on a perilous, uncharted journey to restore hope to a savaged land and light to its darkened moon. ••• The first book in an an epic, time-twisting fantasy series that is soon to be a trio of major motion pictures. ••• Also available on Google Play
There is no halfway in between when it comes to trust, insists M'nor (the moon) in The MoonQuest. "You either trust or you do not," she says. If I had to distill a single theme from all the seemingly disparate books I have written, this would be it. Even after the phrase showed up again in The StarQuest and The SunQuest, I didn't realize just how deeply that pattern threaded not only through my writing but through my life. It was when I was writing my memoir that I finally got it. It was in that moment that I also knew the memoir's title. What could be more appropriate for a book chronicling a life of trust than "Acts of Surrender"!
What do you do when you’re invited to dine with cannibals? That’s Yhoshi’s dilemma in an early scene in The MoonQuest. Do you eat what your hosts are eating? And if you don’t, do you risk finding yourself working up a sweat in one of those man-size cauldrons? The good news, as Yhoshi soon discovers, is that even though his Tena’aa hosts want everyone to fear them as vicious man-eaters, they are vegetarian…and gentle. They’re also terrible teases. I had lots of fun with that scene, not only because Yhoshi needed a good prick to his ego. But when you’re fashioning a hitherto-unknown world from scratch, everything is made-up…including the food! And that’s great fodder for the imagination.
When I began work on The MoonQuest's second draft, I was living in rural Nova Scotia, renting a cozy apartment in Ron and Carole MacInnis's converted farmhouse. Halfway through that summer, Ron rescued two orphaned baby raccoons. He set up a bed for them in a kitchen corner and bottle-fed them as conscientiously as any mother would. As they gained confidence and started to wander around the property, they would often jump up on my lap while I was sitting outside writing. Sometimes, they slept. Other times, they scooched up my arm, kneading and sucking on my skin while making contented nursing sounds. As they sucked and I wrote, the dog of my first MoonQuest draft became Nya the k’nrah of my second!
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