Dana McGarry, on vacation for the first time as a single woman, arrived at the Lansdowne Club at 9 Fitzmaurice Place, just steps from Berkeley Square, in London’s fashionable Mayfair on the morning of April 8, 1975. Her lawyer had filed papers for a legal separation from her husband Brett in January, and after four months of being under the watchful eyes of well-meaning family and friends, Dana was savoring every moment of her solo trip across the pond. She and Brett had always stayed at the nearby Chesterfield Hotel, but her beloved Colony Club in New York City enjoyed reciprocity with the Lansdowne Club, where she’d previously attended lunches and lectures while her husband met with clients for his Wall Street law firm. Undeterred by the steady English rain and dark clouds hanging over the slick gray streets, she stepped from one of London’s fabled black taxis with renewed spirit, excited to think that the distinguished house in Berkeley Square would be her home for the next five days. After Dana checked in, the hall porter asked her if she would like tea brought to her room and then discreetly disappeared with her luggage, a small, welcoming gesture that stood in contrast to an impersonal hotel. Rather than immediately taking the lift to her room on the fifth floor, Dana stepped into the entrance hall and surveyed the club’s interior, intending to explore Scottish architect Robert Adam’s stately masterpiece commissioned in 1761 for King George III’s prime minister, the Earl of Bute. Previously, she had limited herself to the dining room, never taking time to appreciate the club’s historic beauty. Although rich with finely-crafted embellishments and Neoclassical splendor, the house was clearly showing signs of fatigue, and its understated elegance made the environment that much more comfortable. Dana knew she’d made the right choice. The club was an oasis of tradition and tranquility affording her the peace and privacy she needed.
When Dana arrived in her junior suite, she noticed a bouquet of flowers sitting on a table in the sitting area. Thinking they were compliments of the club, Dana opened the attached note and laughed out loud. The flowers had been sent by her childhood friend, Johnny Cirone. The message read, “Take Phoebe shopping and buy up the town. Whatever you do, enjoy yourself. Love, Johnny.”
Dr. Phoebe Cirone, who was in London attending a cardiology convention, was Johnny’s sister. Their father, John Cirone, known affectionately to Dana and her brother Matthew as Uncle John, was the head of the House of Cirone, a manufacturer of ladies eveningwear. Having a passion for medicine from an early age, Phoebe had never expressed interest in clothes or haute couture, leaving Johnny to reluctantly carry on family tradition by working for his father. Dana’s parents, Phil and Virginia Martignetti, had been friends with the Cirones since before her birth.
Dana, pleased to see a porcelain tea service had already arrived, took her cup to the window and sipped the Darjeeling as she observed the new plantings in the courtyard garden. The peace she’d felt a few minutes ago was gone, however. Something about Johnny’s note, as thoughtful as it was, unnerved her. Johnny and her mother called daily to see how she was doing. Dana sensed their concern, although she felt it was unwarranted. What did they think—that she was going to kill herself because the divorce would soon be final?
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